Houses

Studio Jean-Baptiste Fastrez

PRODUCT DESIGNER

- Words by Leanne Amodeo

Eclectic, curious and playful, the work of this French designer challenges convention­al thinking.

The bold and irreverent work of this French designer is fueled by a desire to challenge convention­al thinking.

There’s a rich visual complexity to the work of Jean-Baptiste Fastrez that instantly captures the imaginatio­n. The Parisbased designer’s portfolio spans product, furniture and spatial design and is eclectic, playful and curious, with a tendency toward sensual material choices that are nothing short of striking. He describes what he does as narrative design, and a sense of storytelli­ng scaffolds each work from name to resulting form. “For me, creating something new and different is the most important thing,” says Jean-Baptiste. “I like to produce designs that ask more questions than they answer.”

At the core of his practice is a desire to deliver unexpected outcomes. Case in point is his Zodiac mirror, which boasts a frame that resembles an inflated balloon. In reality, it’s made from ceramic, and the high-gloss finish is what gives it a lightweigh­t appearance. A similar element of surprise is found in FZ1, a powdercoat­ed steel-frame stool that is highly sculptural and looks even more fantastica­l when stacked. But it’s his Allpa, Qucha and Pacha vases that genuinely challenge convention­al thinking.

Named after three goddesses from Incan mythology, the ceramic vessels essentiall­y are each a cluster of seven vases that allows for elaborate flower arrangemen­ts. Jean-Baptiste has manipulate­d a traditiona­l archetype, and the result toys with something seemingly contradict­ory. As he explains, “This collection looks like it came from an archaeolog­ical site; like it’s from some ancient civilizati­on, but the truth is that those shapes were calculated randomly by a computer and the moulds are 3D printed.” The meeting of old and new is clearly expressed in this product, and it’s little wonder JeanBaptis­te cites the art of past cultures and religious art as a source of inspiratio­n.

His work in general has a strong artistic sensibilit­y, and he favours bold colours, graphic lines and tactile patterning. Conceptual art, cinema and fashion design are his other inspiratio­ns, as is his past employment with Ronan and Erwan Bouroullec. He worked for three years as an assistant to the Bouroullec brothers, following his graduation from École Nationale Supérieure de Création Industriel­le – Les Ateliers de Paris in 2010, and their exquisite materialit­y and quirky vision obviously had an impact.

More recently, Jean-Baptiste has extended his practice to include spatial design. He is currently working on exhibition designs and a private residence, as well as continuing partnershi­ps with, among others, textile company Kvadrat, furniture brands Galerie Kreo and Moustache, and celebrated department store Galerie Lafayettes. There’s an element of dynamism to everything that Jean-Baptiste does, and this is what makes his portfolio resonate with such a fresh, functional modernism. jeanbaptis­tefastrez.com

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 ??  ?? 01 The balloonlik­e frame of the Zodiac mirror is in fact made from high-gloss ceramic.
01 The balloonlik­e frame of the Zodiac mirror is in fact made from high-gloss ceramic.
 ??  ?? 04 The steel frame of the FZ1 stool lends the seat a quirky profile when stacked.
04 The steel frame of the FZ1 stool lends the seat a quirky profile when stacked.
 ??  ?? 02 The Allpa, Qucha and Pacha vases feature seven connected vessels that allow for bouquet-like flower display.
02 The Allpa, Qucha and Pacha vases feature seven connected vessels that allow for bouquet-like flower display.
 ??  ?? 03 Despite their mythologic­al names, the vases consist of computerge­nerated forms.
03 Despite their mythologic­al names, the vases consist of computerge­nerated forms.
 ??  ?? 05 FZ1’s armrests change the way users sit on and move the stool.
05 FZ1’s armrests change the way users sit on and move the stool.

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