ImagineFX

Anatomy advice

How to render form in colour.

- Chris is keen to share his extensive knowledge of figure drawing and painting. See more of his work and drawing advice at www.learn-howtodraw.com.

After years of study I’ve learned working methods that help me to simplify my colour and painting process. One of these methods is rendering with temperatur­e shifts. So when I change the value of a colour, I alter the temperatur­e by adding more yellow, more red or blue.

I start with a limited palette of white and only two colours: usually a warm earth tone such as Burnt Sienna and a cool blue, for example Ultramarin­e Blue. Later, I’ll add a yellow and a red to bring about the necessary temperatur­e shifts.

When painting, my first concern is value and I’ll squint to see the value shapes. I’ll also simplify the values and group value shapes as much as possible. With these simple value shapes in mind, I can then mix a colour for every step or transition in value.

I begin by blocking in the shadow with a medium-dark cool tone, ignoring details and variations in the shadow. Then I mix the next value shapes that comprise transition tones, making sure this is warm enough so they separate from the cool shadow. Then I mix the next value shape and shift that temperatur­e as well. I’ll continue this process to the brightest highlights. As long as the temperatur­e shifts are dramatic enough, the values will read and the colours will feel lively.

Materials

Canvas or illustrati­on board Bristle brushes of various sizes Oil paint colours: Titanium White, Ultamarine Blue, Burnt Sienna, Yellow Ochre and Alizarin Crimson Solvent or thinner

1 Block in shadow

Once the drawing and placement is defined I’ll block in the shadow. I mix a greyish blue tone using Burnt Sienna and Ultramarin­e Blue. I also make sure to simplify the shadow shape by disregardi­ng details and nuances. Shadow variation and details can be added at a later stage.

2 Transition tones

I begin rendering by moving from shadow to light using a warm brown comprising Burnt Sienna and Ultramarin­e Blue. This warm ‘pops’ against the cool-blue shadow. For subtle variation, I mix in yellows and cool reds. These temperatur­e shifts make the colour lively and life-like.

 ??  ??
 ??  ?? Mix cool reds in lower area
Mix cool reds in lower area
 ??  ?? Ignore details in shadow
Colours mixed
Ignore details in shadow Colours mixed
 ??  ??

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