ImagineFX

how to create colourful gradients

Bao Pham uses the wet-into-wet approach to create a serene yet colour-rich image

- Bao lives in Iowa, US. Painting and drawing with a variety of media, he creates contemplat­ive and introspect­ive imagery featuring various plant forms and rich colour palettes. You can follow him at www.instagram.com/ baotpham

Last winter, because it was too cold to paint outdoors and I couldn’t use oil paint indoors, I started using gouache. I fell in love right away and it quickly became my main medium. I love its opacity and minimal preparatio­n time. I have a small studio space, so I have been focusing on smaller works, and gouache offers the compact versatilit­y that I need. Also, I work with minimal shapes and its rich colours help me add visual interest and create effective moods.

Gouache is best described as opaque watercolou­r. It can be reactivate­d with water, although it is a bit difficult to blend after the paint has dried. However, since it’s not permanent, storage and cleanup are a breeze. One unpredicta­ble thing about it is that dark colours will appear lighter when dry and light colours appear darker when dry. This makes it hard to judge the value of a colour as you work, but that can be sorted out by premixing and testing colours beforehand. Gouache is not only easy to use and set up, it also has a beautiful matte finish, while the colours stay rich and vibrant when dry.

In this workshop, I will focus on using wet into wet techniques with gouache and watercolou­r. Wet into wet is simply painting while the surface is still saturated with water. I first learned this technique with watercolou­r and I’ve found it’s very effective with gouache as well. It enables me to create smooth transition­s between colours and values. It’s best used in a single pass, considerin­g that adding subsequent layers will reactivate the paint underneath and can cause muddiness.

I prefer using watercolou­r for soft and delicate details, with gouache for more vibrant and bold colours. I highly recommend doing colour studies first before working wet into wet. It will cut down your guesswork and let you focus on the manipulati­on of the paint.

Here, I’ll cover the various ways I work with washes, starting with breaking up sections of the painting to keep large areas more manageable. I’ll also show you how to transition from one colour to the next to create a smooth gradient, and how to blend colours without lifting paint that has been laid down.

 ??  ??
 ??  ??

Newspapers in English

Newspapers from Australia