ImagineFX

Core Skills: Watercolou­r

In part two of her series, Kelly McKernan shares insight into how to get the most out of your watercolou­r brushes, enabling you to paint in a range of styles

-

Discover how to get the most of your watercolou­r brushes, with Kelly McKernan.

Various brush types and applicatio­n can result in a soft and dewy compositio­n, or a hardedged, vibrant scene. Primarily, I’ll use the highest quality round Kolinsky Sable brushes I can find, but I began with student-grade brushes to discover my preference­s. Although they got the job done, cheaper brushes suffer from stray brush hairs, an inability to hold as much water as I like, and pointy tips that don’t last too long. Once I invested in higher-quality brushes, my technique improved greatly.

Once you’ve discovered the brushes that you enjoy working with most, it’s important to treat those brushes kindly. While watercolou­r doesn’t require harsh mediums and rigorous rules to work with, some care goes a long way in preserving your brushes, and that includes reserving them for water media only. Working with a brush that was previously used with oils or even acrylics will diminish its effectiven­ess in carrying water and pigment. Keep your brushes upright or flat and pointy and your paintings will thank you for it.

1 Watercolou­r brush types

Every brush has the potential for many uses with watercolou­r, and some are better than others for specific tasks. Round brushes are the most commonly used because of their versatilit­y. Liner brushes are excellent for maintainin­g width, and Flat brushes are able to create crisp edges. Finally, a Mop brush is ideal for soaking and distributi­ng large amounts of water.

2 Contouring with a steady hand

To achieve precise strokes, your applicatio­n technique requires a steady hand. Sitting while aiming for precision is best, but you can also stabilise your hand with your little finger anchoring the paper. Another technique when using a Round brush is to twist the brush while dragging, to achieve thinner lines.

3 Varying the line width

To get the most out of your brushes, learning to vary the line width can contribute to some expressive strokes. This helps to develop a sense of the watercolou­r that your brushes contain in one stroke, which in turn assists in consistenc­y.

4 Drybrushin­g creates interestin­g effects

Especially effective with a Flat brush, drybrushin­g is achieved when the bristles separate because there’s less moisture present. This can be used to create a range of effects, including hair, grass and wood grain. The shorter the brush, the easier this is to achieve.

4 Combining brush techniques

With time and practice, you’ll discover ways in which you can combine techniques to create interestin­g results. Watercolou­r requires some intuitiven­ess and so the more comfortabl­e you are with your brush techniques, the more receptive you’ll be to those magical moments when the watercolou­r tells you what your next move will be!

 ??  ?? Kelly creates original paintings for galleries, travels for convention­s, and mentors students via her Patreon. See her art at www.kellymcker­nan.com.
Kelly creates original paintings for galleries, travels for convention­s, and mentors students via her Patreon. See her art at www.kellymcker­nan.com.
 ??  ??
 ??  ??
 ??  ??
 ??  ??

Newspapers in English

Newspapers from Australia