ImagineFX - 2019-01-25

• NO.1 FOR Welcome DIGITAL ARTISTS to… ImagineFX
• Ultra-realistic fantasy art
• Key features
• Avoid creative crashes
• Interview: Goro Fujita
• Artist in Residence
• 52 Back issues
• Create depth through value
• Discover how to render a surreal sci-fi character
• Create powerful compositio­ns
• Use VR tools to build an image
• Editorial
• Improve your Painting Process
• Patri Balanovsky
• ILM and Atomhawk now confirmed for Vertex 2019
• Can you help?
• Affordabil­ity issues
• Shapes, not lines
• Fast and rough
• Adding glow
• Failure: a key ingredient for growth
• profile Lois Van Baarle (Loish) location: The Netherland­s
• PRINT an d DIGITAL Bac k issues
• profile Michal Kus location: Poland
• Inspiratio­n and concept
• Drawing loose thumbnails
• Real-life references
• Create a tight sketch
• Generate a simple background
• Inking the clean sketch
• 7 Sectioning the flats in the artwork
• 8 Filling the flats
• 10 Locking layers for accurate painting
• 9 Bringing in a shadow layer
• 11 Airbrushin­g the horns and skin
• 12 Colouring the lines
• 14 Acting on feedback and final edits
• 13 Detailing the character
• 1 WHAT’S THE STORY?
• 2 THINK WITH THUMBNAILS
• 3 SHAPE MATTERS
• 4 HARNESS THE POWER OF TRIANGLES
• 5 CREATING DRAMA VIA A POINT OF VIEW
• 7 CONTRAST AND DETAIL
• 8 BIG, BOLD DESIGN ELEMENTS
• 6 SYMMETRY OR ASYMMETRY
• 9 DEVELOPING DYNAMIC SYMMETRY
• 11 ASSESS ING THE SIL HOUETTE
• 10 GUIDE THE VIEWER THROUGH YOUR ART
• 12 APPLYING THE GOLDEN RATIO
• 14 BE CLEVER WITH COLOUR
• 15 STAY LOOSE
• 13 FINAL PRODUCT
• 1 Character and environmen­t breakdown
• 3 Giving the figure shape
• 2 Sketching in VR
• 7 Duplicatin­g the tree
• 5 Using reference in VR
• 6 Drawing the first tree
• 4 Adding a ground plane
• 9 Exporting the model from VR into Marmoset
• 8 Finishing up the mockup
• 12 Use Photoshop to add polish to the compositio­n
• 11 Marmoset effects
• 10 Tweaking my materials
• Artist PROFILE
• 1 Looking for clues
• 2 Making changes
• WORKSHOP MATERIALS
• 4 The power of illusion
• 3 Entering the third dimension
• 7 All fingers and thumbs
• 5 Adopt the mindset of a sculptor
• 8 New opportunit­ies
• 6 Thinking ahead
• 10 Stay focused as you erase
• 9 Adjusting shapes
• 13 Time for a little black magic
• 11 Working with a light touch
• 14 The art of conversati­on
• 12 Feeling the pinch
• Die Hard: The Ultimate Visual History
• The Art of Ralph Breaks the Internet
• Atey Ghailan
• Workshop: Paint a fantasy portrait with oils
• Workshop: Working with ink and gold
• Traditiona­l art FXPosé
• Kristin Baugh Shiraef
• Materials
• Step-by-step: From pencils to ink and then adding gold
• Points of interest: A hybrid approach
• Materials

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