PAINTING SWIRLS AND SHIMMERS
Movement is such an important part of Anna’s painting style, as she explains…
“My favourite illustrations are those that feel lively, not static. I love incorporating movement into my work: it helps to see the image as a whole before ploughing ahead. Rather than just focusing on the figure, I like to make sure the piece flows entirely before getting caught in the details. I used to be intent on getting every detail of a portrait technically correct, without telling much of a story in the process. I hope the viewer’s gaze moves fluidly throughout the composition by following the path of gesture and shape. Sketching or envisioning a quick composition at the start is an important part of my process. This is often before even starting a proper sketch, so it can be the most minimal idea.
For a shimmer effect, I find it useful to include areas of rough texture or abstracted shapes. Adding a little extra detail, sharpness or splattering into a more simplified area can create a sparkling impression. Carving out specific areas to add more detail can help diversify a painting and provide a focal point. I try balancing busy and quiet areas for more visual contrast.
I’ll often play around with shape when starting a composition. It might remain just a shape, or evolve into something nature themed. Nature is often my go-to because of the varied and dynamic imagery. Observe and take photos of anything you find visually intriguing. My camera is filled with an assortment of random photos that can sometimes be the base for my next project – whether that be unusual plants, an interesting piece of fabric, or a colourful sunset. You never know what will ignite the creative itch later.”