ImagineFX

TURNING A STORY BEAT INTO ARTWORK

Alexandria discusses the importance of personal work and where she goes for inspiratio­n

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“For a very long time, I thought I wanted to become a writer. But I’m clumsy with words, and can do a much better job telling a story with a picture. Personal illustrati­on work always starts with an idea or a narrative beat. I’ll think ‘this scene would be cool’ and then start formulatin­g a little story around that in my head. Who are the characters? What are they like? How can I sell their personalit­y? What’s happening in this image in a single moment?

At this point, I’ll sometimes write in a sketchbook. I don’t often use sketchbook­s for sketching. I use them a lot for writing stuff down and doing really rough, almost illegible thumbnails. Inspiratio­n comes from all sorts of random places. Sometimes I’ll see something that sparks a little idea that I’ll pick away at. Sometimes I’m in the shower and it just pops fully formed into my head.

The landscape studies are a different thing for me, because it’s not so much about narrative as it is a mood. I’m constantly taking photos wherever I go – generally on my phone. If I see something that appeals to me – a nice-shaped tree, or a really good sky – I’ll snap a ton of photos then dig through them later when I have more time and see if I can get a good moody painting out of them. I’m always shooting reference.

Profession­al work is someone else’s ideas that I’m helping bring to light. Personal work is my own ideas. For that reason it’s very important to me. I don’t care much about techniques or how I made a piece. I care about the story it tells and getting that out there.”

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“My comfort zone. I tend to be drawn to moody, soft lighting, cloudy days and simple shapes. These have all turned into exercises in seeing how simplified I can make an image while still having it read. They’re incredibly therapeuti­c, because it’s just studies of photos I’ve taken in my day-to-day and travel. These sort of studies are also great for art block.”
LANDSCAPE STUDIES “My comfort zone. I tend to be drawn to moody, soft lighting, cloudy days and simple shapes. These have all turned into exercises in seeing how simplified I can make an image while still having it read. They’re incredibly therapeuti­c, because it’s just studies of photos I’ve taken in my day-to-day and travel. These sort of studies are also great for art block.”
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