7 The larger forms

I then begin to build up the opacity of the paint and start getting the general forms through value and colour. I used a warm/cool primary palette consisting of: Lemon Yellow, Cad Yellow, Yellow Ochre, Cad Red, Burnt Sienna, Magenta, Manganese, Ultramarine and Titanium White. The plan from the comp was to do a sort of cross-complementary colour scheme. So, the blues complementing the broader, warmer tones of yellow/oranges and reds.