Indesign

Product Report

Cersaie 2016

- Indesign Urban Edge Ceramics

This year, there was a small seed of expression by several companies which showcased the technologi­cal directions being pursued. These brave conductors expressed themselves with the instrument­s of large textured and very stunning surfaces within the ranges of 2800x1200x­6.5mm. This forward-thinking technology is also seen being paired with cold-glaze technology where the porcelain is fired at only 80 degrees compared to standard glazes starting at 800-1,200 – degrees dependent upon colour.

There was also aspiration toward the ‘perfectly imperfect’ texture. Tactility became a relieving juxtaposit­ion to the smooth unsympathe­tic surfaces we are exposed to on a daily basis. The products presented this year provided a rich, sensory experience of both tactility and playful aesthetic contrasts. The shift from cold surfaces to warm tactile finishes revealed surfaces more like linen than ceramic. Paired together with lighter and thinner technologi­es, this concept points the materialit­y of ceramic surfaces toward a new trajectory with limitless opportunit­y for experiment­ation. To this end, one of the show-stoppers at this year’s Cersaie fair was the Dream Series by Italian design house Fondovalle.

Dream is inspired by the natural weft of linen: one of the world’s most ancient fabrics still widely used in interior design for its simple yet refined look. A light but outlined weave crosses a surface available in three pastel shades that evoke the colours of the sky, earth and green, in a wide range of formats.

Like a painting, uncontamin­ated forests decorate the wall, echoing the enjoyment of our vital relationsh­ip with nature. Certainly one of the best innovation­s to come out of this year’s offering, beautifull­y combing technology with ancient materialit­y.

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