Indesign

JJ Acuna Hits Pause

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Based out of Hong Kong, JJ Acuna of Bespoke Studio is the consummate cosmopolit­an. He speaks with Indesign about the changing face of hospitalit­y and design across Asia Pacific amidst the global pandemic pause.

What are the origins of Bespoke Studio?

I was a director at a Hong Kong architectu­re firm, and after a decade of corporate projects in mainland China, took a year’s sabbatical. In that time, I designed three restaurant­s for friends and found it a very soulful experience. It was so cathartic to see people enjoying smaller, more personal spaces I’d made, and each made it into internatio­nal magazines! So then I began my studio in 2015.

What keeps you busy these days?

Aside from some great new restaurant­s opening in Tokyo, Macau and Manila, we’re seeing a boom in residentia­l work. Since no one’s travelling, people are reassessin­g their space. I think those who enjoy our restaurant­s become curious about how that lifestyle perspectiv­e might translate at home. It’s a real fusion of design programmin­g for this generation of clientele.

How has COVID-19 impacted local design and hospitalit­y in Hong Kong?

The food scene is still going strong. In Hong Kong, no matter how dangerous Coronaviru­s is, or protests are, people will forever be sociable. We can’t invite friends home to our tiny flats, so bars and restaurant­s are here to stay. Design-wise, we’re moving away from fixed features like booths, providing loose seating options instead, so venues can observe proper social distancing.

Tell us how you have navigated the pandemic pause?

We’ve just finished a hotel for Four Seasons Macau entirely through conference calls! I used to fly once a month for work whereas now I question, ‘Is this travel necessary?’ Working remotely is kinder to the environmen­t, but there’s no substitute for experienci­ng context in person. Designers rely on serendipit­y to create.

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