Curtain Call
The sparkling renovation of Sydney Theatre Company reassures us that while the pandemic may buffet our sails, the arts community endures.
Founded in 1978, the Sydney Theatre Company (STC) is a powerhouse of world-class theatre that boasts diversity in its presentations – from the classics through to the best Australian and international productions. With an annual audience of some 300,000 people, the 100-year-old former timber wharf building that is home to the STC used to export wool, but has more recently played host to capacity crowds. However, with the advent of the Wharf Renewal Project, the amenities and facilities now available are world’s best and have exceeded expectations as a working theatre and hospitality venue.
The initial design for the home of the STC at the finger wharves was created by architect Vivian Fraser in association with NSW Government Architects, however in 2018 work began to upgrade and refurbish the site in line with today’s requirements. The project by Hassell saw principal Glenn Scott as lead architect work closely with STC, theatre consultants Charcoalblue and heritage conservation architects Tropman & Tropman. Input was also received from STC staff and audiences.
The simple brief was to improve theatre operations and maintain the STC philosophy of an ‘all-under-one-roof’ facility – STC is unique globally for having all theatre productions and performances in the one location. Now with the new interior complete, the entire creative process can take place within the one building where administration, marketing and management work alongside playwrights, set-builders and costume-makers as actors rehearse and perform.
Some eight years in the making from concept to completion, the STC Wharf Renewal Project has been a labour of love for Scott and the Hassell team who have designed a sensitive, streamlined interior that combines the best of the old with the advantages of the new.
Access to the STC is from Hickson Road, Walsh Bay at Wharf 4/5. Up the stairs to the first floor, there is a long corridor that leads to the administration offices, performance spaces and hospitality areas at the rear. The walkway with glazing at the side of the structure provides views of water and allows for ample natural light to penetrate. White walls and white-painted linear cladding, purposely contrasting the heritage fabric, visually elongate the area which leads visitors to the two theatres.
Part of the process of redesigning the STC was the modernisation of the theatres. The two theatres can be re-configured to become one, and capacity is now extended with 350 to 400 people accommodated in Wharf One, and 160 people in Wharf Two.
Ceiling height in the Paradise workshop has been raised to allow for large sets to be built on-site; a new back-of house corridor has been incorporated to allow for greater movement from workshop to rehearsal and theatre spaces; and there is also a dedicated wig room. Along with new amenities for set design, there are dressing rooms, rehearsal rooms and break-out spaces, as well as music and vocal coaching rooms, and a recording booth.
A focal point for all theatre-goers is the hospitality amenities. These have been upgraded and refined, while two new lifts provide improved public accessibility. The Theatre Bar at the End of the Wharf has enhanced kitchen facilities and there is the addition of two balcony extensions or gantries that provide excellent harbourside views for patrons. On the floor above, and overlooking the bar, is a new multipurpose venue space, entitled the Neilson Family Gallery. This is another flexible space which can be hired for small gatherings.
Working closely with collaborators, Scott was in constant contact with STC company executive director, Patrick McIntyre, who has been a consistent figure throughout the renovation process.
Commenting on the STC’s new home, McIntyre says, “The newest incarnation of the company’s headquarters by Hassell architects and Charcoalblue theatre consultants has pulled off a triple coup by revealing even more of the original structure and providing new and more functional theatres and work places while at the same time honouring and responding to the earlier work by Viv Fraser and NSW Government Architects. We couldn’t be happier with the result and we look forward to creating new memories here for artists and audiences for decades to come.”
While the general interior of the STC is white, bright and light and very dark in the theatres, technology is state-of-the-art and functionality incomparable. Scott has added a deft touch to the design, modernising and rejuvenating the spaces but also paying deference to the history of the building and, in turn, the organisation.
He remarks, “The STC Wharf Renewal Project is a rare, culturally important heritage project that is a huge responsibility for a design team to work on – we are delighted with the outcome, and proud that STC can continue their ground-breaking theatre at the wharf well into the future.”
It may have taken a few years to complete, but the new STC is a shining example of what can be achieved through vision and determination. The STC Wharf Renewal Project was made possible with the support of the NSW Government and private donors and certainly everyone involved must be elated with the outcome.
As theatre brings joy to those who attend it, now with the completion of the Wharf Renewal Project, those who work at the STC can also enjoy the fine surrounds back-of-house as well as those seated in the front row. charcoalblue.com, hassellstudio.com, tropmanarchitects.com.au, sydneytheatre.com.au
Page 123: The new amenities include space for the wardrobe department where costumes can be made. Page 124-125: Comfort and amenity is provided in the re-designed theatres where technology is state-of-the-art. Opposite: The balcony extension at the side of The Theatre Bar at the End of the Wharf provides patrons with excellent harbour views. Above: The glazed walkway provides water views and allows ample natural light to penetrate.