Indesign

CHARACTER BUILDING

- Words Leanne Amodeo Project Photograph­y Various

Contempora­ry kindergart­ens and schools aren’t just about mathematic­s and grammar. Rather, they are socio-spatial environmen­ts where developing the individual’s character is just as important as academic performanc­e. And it’s especially true today, when students’ wellbeing is being re-prioritise­d as a result of the pandemic. Spaces have to support a range of pedagogica­l frameworks that in turn support self-directed learning, collaborat­ion and discovery. So what type of interior does this?

The short answer is many different types. There is no onesize-fits-all approach to designing for education, particular­ly since pedagogies shift, new technologi­es necessitat­e for greater integratio­n and future-proofing poses challenges. However, the very best new fit-outs are characteri­sed by flexibilit­y and adaptabili­ty, and the very best architects and designers are adopting a tailored approach. Interiors range from minimalist to maximalist and include lots of variations in between.

Architectu­re studio PORT’s recently completed kindergart­en in Opole, a city in southern Poland on the Oder River, sits at one end of the spectrum. It’s the perfect study of a dramatical­ly stripped back learning environmen­t, which, in this case, supports the curriculum’s Montessori teaching methods. PORT co-directors Józef Franczok and Marcin Kolanus were tasked with re-imagining a decrepit building and smaller structure in as equally poor condition. They could have easily knocked down both. Instead, they decided to restore them, exposing their original features in the process.

The result is two highly tactile interiors that reveal the history of each building through original brickwork, architectu­ral fragments and various markings. As Franczok explains, “Adaptive re-use is the future. But we also wanted to show the children how these old buildings were constructe­d because each structure tells a story.”

Page 156-158: Supporting Montessori teaching methods is PORT’S design for this kindergart­en in Opole, Poland, with dramatical­ly stripped back learning environmen­ts, photos: Stan Zajączkows­ki. Page 160-161: Junior Library at Ormiston College’s Centre for Learning and Innovation by BSPN Architectu­re, photo: Christophe­r Frederick Jones. 162: Maker Space and Design Lounge, photo: Christophe­r Frederick Jones. Page 163: Collaborat­ion and Reading Lounge, photo: Christophe­r Frederick Jones.

“...We believe that simplicity in architectu­re and design can better help us to connect with nature and our own true selves.”

Franczok and Kolanus’ interventi­ons are minimal, especially in the double-storey main building, where the generous volume emphasises each learning space’s proportion­s. A natural timber palette is applied throughout, from the flooring and neat built-in joinery units to a slide that runs along the stair, adding an overtly playful element to the scheme. Windows and skylights of differing sizes let in natural light and, in keeping with Montessori principles, walls are kept clean, any superfluou­s decoration has been removed and no objects or furnishing­s encumber children’s learning. It’s a calming, immersive environmen­t and that was the idea.

“In a world where we’re often overwhelme­d with informatio­n, we believe that simplicity in architectu­re and design can better help us to connect with nature and our own true selves,” says Kolanus. “More importantl­y, children can learn they don’t need lots of toys or technologi­cal devices to explore or experience joy.”

While the smaller building was converted into a workshop and common room, the architects added a single-storey extension with full-height glass windows to the rear of the main building. This box-like structure functions as an ‘internal backyard’ allowing the children to connect with the outdoors even during the harsh winter months. Every part of this design has been considered to offer opportunit­ies for discovery and personal growth, plus a sense of security.

At the other end of the aesthetic spectrum is BSPN Architectu­re’s recently completed design of Ormiston College’s Centre for Learning and Innovation, 25 kilometres southeast of Brisbane.

At a time when primary and secondary schools across the globe are questionin­g the need for walk-in libraries, this project boldly re-imagines the typology. “The Centre had to reactivate the heart of the campus to emphasise that learning is physically and symbolical­ly central to life at the College and beyond,” says BSPN Architectu­re director, Bretton Watson. “And it had to be adaptable, resourcefu­l and multi-functional to adjust to the needs of students.”

The double-storey project is anchored by an internal street that runs through the centre of the building, while a cluster of spaces surround it. These rooms are flexible and support a range of different learning modalities, from group collaborat­ion to autonomous study. Each one is technology-enabled and aligns with the pedagogica­l intent to support a variety of student learning experience­s.

Watson and the team heightened the interior’s experienti­al qualities by implementi­ng a collage-like scheme that incorporat­es different materials, colours, textures and graphics. In the young readers’ area, for example, a plywood cubby house is set against a wall of painterly pastel colours and in a group collaborat­ion space, yellow mosaic flooring and bench seating echoes the oblique angle of the lowered ceiling and patterned wall. These social areas are far more energetic than the quiet study spaces and dedicated rooms that are a subdued mix of natural materials and muted greens, yellows and blues, which lend each zone its own distinct identity.

The overall effect is dynamic, injecting the Centre with a sense of excitement that transfers to the students. “This is a cultural and learning hub that actively embraces engagement and where students are encouraged to seek and achieve,” says Watson. It reinforces the idea that learning takes place everywhere and at any time, empowering students to take ownership of their own learning and learning environmen­t.

Whether minimalist or maximalist, education design ultimately needs to be adaptable. The design of these learning institutio­ns has to work hard to facilitate each child’s personal growth and developmen­t, as well as their inter-relational skills. And it’s this that will deliver outcomes that ultimately nurture and progress students. bspn.com.au, portinfo.pl

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