Inside Out (Australia)

By avoiding a clichéd beach-house look, the owners of this beautifull­y realised home found the right balance

For this family, designing their dream beachside home was just the beginning

- WORDS FREYA HERRING STYLING KERRIE-ANN JONES PHOTOGRAPH­Y BRIGID ARNOTT

The thing about designing a beach house is this: it’s hard not to make it clichéd. For Kimberley and Ramon, it wasn’t about knotted ropes and pictures of sailboats on the wall. They wanted something practical where the form reflected use, without being unnecessar­ily Brutalist and with beach-house appeal. With two kids in the house, Jett and Hunter, plus Pepper the poodle, it had to be functional as well as beautiful. “We didn’t want it to be fussy or pretentiou­s,” says Kimberley.

Having knocked down the 1970s brick house that occupied the site, Kimberley and Ramon set about building their dream four-bedroom home over the course of a year. The couple brought in Melbourne firm Farnan Findlay Architects, who designed four floors to fit onto a relatively small footprint of 320 square metres, which makes the rooms feel cosier than your average contempora­ry building – a relief in a world of big white boxes.

Whenever it’s warm enough, the family start their day swimming in Sydney’s Gordons Bay, which their home overlooks “before the crowds set in,” says Kimberley. It’s such a routine that the house has been designed with a back gate that leads to the steps going onto the walkway and the bay. To hide the sand that inevitably creeps into the house, the couple rejected glossy timber floors, and instead cleverly opted for recycled barn oak. The oak floor’s rough texture keeps the spaces relaxed and echoes the aesthetic of the beach at the bottom of the hill.

In fact, texture was a driving force behind the design of this build and it’s what keeps it interestin­g from slab to roof. Inside, the house is decorated minimally with contrastin­g textural materials: timber on the balustrade; lightly veined marble in the kitchen; concrete for the staircase and the boys’ bedroom ceilings; and white-painted bagged brickwork for the walls. Beautiful brass handles on the cupboards link all the spaces together. “Rather than putting up a lot of artworks, the artwork is the interior itself,” says Ramon. “It’s like living in a work of art.”

The outside of the building is clad in spotted gum, linking it to the beach below. “We chose spotted gum because we wanted it to age,” says Kimberley of the wood that was once red, and is now a silvery grey. “Down at Gordons Bay, the fishermen’s boats sit on these old timber boat skids and we wanted the house to reflect them. It brings the bay up here.” And the connection to the water below doesn’t end there. “Then you have the native flora reserve that surrounds the bay,” says Ramon. “That’s translated in our

front garden, bringing some of the wildlife up here, because there’s a lot of birdlife that lives in that reserve. We now have a family of these beautiful brilliant-blue wrens.” The H-shaped house hosts a bamboo garden in one of its two nooks – “the wrens love the bamboo, so they’ve nested” – and a Japanese garden in the other.

And the bricks-inside-and-wood-outside trick is no mistake – it’s actually highly functional for a climate as changeable as Sydney, and works in line with the couple’s green goals for the house. “The constructi­on method is reverse brick veneer, which is taking the standard brick veneer constructi­on and flipping it,” says architect Michelle Findlay, who designed the building with her partner Joel Farnan. “So you put the thermal mass – the bricks – on the inside, and you put the insulated lightweigh­t constructi­on on the outside. It gives you really good internal thermal mass, and it levels out any sort of fluctuatio­ns in the ambient temperatur­e, making for a much more comfortabl­e house in summer and in winter. And the aesthetic upside of that is that you can use beautiful lightweigh­t material outside like the spotted gum cladding, and you get the lovely textured, bagged brickwork on the inside.”

The contrastin­g materials extend to the master bedroom situated at the building’s summit. Enveloped in Colorbond steel outside and on the roof, plywood sheets are curved around the walls within, making for a boat-like effect inside. But it’s down on the large deck, just off the living area on the second floor, where the family spends most of their time. “It’s really the centre of our living space,” says Ramon. “We eat all our meals out there in the warmer months. We often just sit with the music playing late into the evening, watching the stars.”

For more info on Farnan Findlay, visit farnanfind­lay.com.au.The builder of this project was Join Constructi­ons – go to joinconstr­uctions.com.au.

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 ??  ?? STAIRCASE (top left) Concrete treads contrast with the spotted gum balusters, which carry on to the living area, their silhouette echoing the bamboo in the courtyard. KITCHEN (top right) Spotted gum veneer cabinets and ‘Bianco Gioia’ marble benchtops...
STAIRCASE (top left) Concrete treads contrast with the spotted gum balusters, which carry on to the living area, their silhouette echoing the bamboo in the courtyard. KITCHEN (top right) Spotted gum veneer cabinets and ‘Bianco Gioia’ marble benchtops...
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