Inside Out (Australia)

HEART OF GLASS

Introducin­g light to a heritage property was the key to this amazing Melbourne renovation

- WORDS JESSICA BELLEF

Families change shape as their children grow, which happened predictabl­y a few years ago to the four occupants of this home in Melbourne’s south. “We love the area and have been here for a long time, but we simply outgrew our other house,” says the owner. As luck would have it, a charming terrace house soon became available nearby. Despite the property’s tired state and an outdated 1980s extension with no redeeming features, the remaining heritage elements drew the locals in. “There was an integrity to the original rooms at the front of the house,” says the owner. The home’s orientatio­n also appealed, as light is obviously critical in a terrace. Its rear elevation faced north, so there was definitely potential to open up the back and bring in a lot more natural light.

Emma Mitchell of EMArchitec­ts was asked to design the extension, with a focus on harnessing that light. With the big picture locked in and constructi­on by Matt Ritchie of MR Contractin­g underway, Sonia Simpfendor­fer, from Melbourneb­ased interior-design firm Nexus Designs, was brought on board to reimagine the interior. “The clients wanted practicali­ty and functional­ity – and for it to look fantastic,” Sonia explains. “They knew themselves well and briefed their design team clearly.”

dream it

Architect, interior designer and client were united in their vision to honour the property’s original character. “Good heritage homes have a scale and solidity that is very valuable. The key is to introduce the natural light and functional­ity that suits how we like to live now,” says Sonia. The family prioritise­d green space, briefing Emma to reduce the building footprint slightly so that more area could be given over to the garden.

To make way for the new open-plan kitchen and dining area at the back, the existing extension was to be demolished. “A higher ceiling in that space would then create a feeling of spaciousne­ss without needing a big footprint,” says Emma.

Black steel-framed windows were requested from the get-go by the homeowners, who also wanted skylights to bring in as much light as possible. And as is the case for any household with children, maximising storage was a priority.

“This house is stunning but also feels simple and honest. Now that it’s painted, the old brick wall in the kitchen has such a beautiful texture”

SONIA SIMPFENDOR­FER, INTERIOR DESIGNER

design it

Sonia was asked to give the interior fit-out a fresh, clean look and improved functional­ity. “The clients were very clear that they were looking for simplicity – for fewer finishes, not more – and for visual and functional streamlini­ng,” Sonia offers. “They weren’t distracted or tempted by trends or fashion; they just wanted the good stuff!” The designer says she developed a refined material and colour palette that “walks the line between timeless graphic crispness and the warmth and practicali­ties necessary for comfortabl­e family living”.

Glimpses of the original brick walls indicate the transition from old to new, providing an enduring backdrop for Sonia’s work. “I like to identify the things that keep the value and beauty of a heritage house while being ruthless about what needs to be changed to make it actually work,” she says.

Neat joinery solutions and clever space planning throughout the home delivered on the clients’ request for optimised storage and an uncluttere­d look. Sonia also curated furniture and lighting schemes that dovetail beautifull­y into the updated section as well as the existing rooms. “The pieces were chosen in response to the scale of the spaces, as well as comfort and sculptural form,” she explains.

“I love how much storage we achieved, and the glimpses through to the next spaces that make you want to explore”

SONIA

do it

Confidence and a clear vision underpin this striking home’s creation. Its nimble contractor­s and the homeowners’ sharp decision-making ensured a smooth renovation journey, despite a mid-term layout reshuffle on the second level and a tweak of the joinery design on the ground floor. “The clients were very decisive, which meant the build powered on,” says Sonia.

The outcome is an elegant expression of well-designed simplicity, with an overall feeling of calm. In the renovated spaces, uncomplica­ted forms are a fitting modern companion to the terrace’s original elements, such as the marble fireplace in the front bedroom and the brick walls. Now 12 metres of sleek joinery runs through the living and kitchen areas and hides masses of storage and a study nook, while the north-facing wall of glass framed in black steel overlooks the garden and separate garage with its office space and bathroom above.

Daily life has definitely improved for the owners and their children, and they are excited to see how the home evolves in coming years: “As the children grow, it’s impossible to predict exactly what they’ll need, but we are really happy here now.”

See more residentia­l projects by EMArchitec­ts at emmamitche­ll.com.au. Inspired work by Nexus Designs can be viewed at nexusdesig­ns.com.au

good news

Natural light was a priority for the owners, who now have plenty of it flowing into their terrace through strategica­lly placed skylights and bigger windows where possible.

 ?? PHOTOGRAPH­Y RYAN LINNEGAR ?? kitchen
This side of the space is light while the opposite wall is the start of the dark cabinetry running the length of the home. Joinery by Nexus Designs, fabricated by Kurv Living. Benchtop, honed Carrara marble. Brushed platinum tapware, Astra Walker.
PHOTOGRAPH­Y RYAN LINNEGAR kitchen This side of the space is light while the opposite wall is the start of the dark cabinetry running the length of the home. Joinery by Nexus Designs, fabricated by Kurv Living. Benchtop, honed Carrara marble. Brushed platinum tapware, Astra Walker.
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Opening the 2.7m-high, timber-veneer doors reveals this hidden gem and other great storage spaces, such as a handy appliance unit and a walk-in pantry with soft-closing sliding door.
breakfast bar Opening the 2.7m-high, timber-veneer doors reveals this hidden gem and other great storage spaces, such as a handy appliance unit and a walk-in pantry with soft-closing sliding door.
 ??  ?? CLOCKWISE (from tapware) Icon + Lever ‘a67.00lh’ brushed-platinum tapware, $595, Astra Walker. Carrara C marble, POA, Signorino. ClassiCon ‘Selene’ brass pendant light by Sandra Lindner, POA, Anibou. Kaldewei ‘Meisterstü­ck Classic Duo’ oval bath, $7679, Bathe. B9 Cava ‘Le Corbusier’ bentwood armchair, $305, Huset. B&B Italia ‘Bend’ sofa, from $17,575, Space. PureGrain laminate in Terril, from $113.52 per sq m, Laminex. AbsoluteMa­tte laminate in Polar White, from $105.38 per sq m, Laminex.
CLOCKWISE (from tapware) Icon + Lever ‘a67.00lh’ brushed-platinum tapware, $595, Astra Walker. Carrara C marble, POA, Signorino. ClassiCon ‘Selene’ brass pendant light by Sandra Lindner, POA, Anibou. Kaldewei ‘Meisterstü­ck Classic Duo’ oval bath, $7679, Bathe. B9 Cava ‘Le Corbusier’ bentwood armchair, $305, Huset. B&B Italia ‘Bend’ sofa, from $17,575, Space. PureGrain laminate in Terril, from $113.52 per sq m, Laminex. AbsoluteMa­tte laminate in Polar White, from $105.38 per sq m, Laminex.
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 ??  ?? day bed
Above the black leather built-in seat is one of the home’s seamless skylights. The steel window frames were designed by architect Emma Mitchell as an integral part of the building’s structure. Brick wall, painted Dulux Lexicon to match the white cabinetry and work with the concrete floor.
day bed Above the black leather built-in seat is one of the home’s seamless skylights. The steel window frames were designed by architect Emma Mitchell as an integral part of the building’s structure. Brick wall, painted Dulux Lexicon to match the white cabinetry and work with the concrete floor.
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Half the room is a corridor, so furniture placement was crucial. The black square at left is a steel window box looking out to a light well. The rug was custom-coloured by Behruz Studio to match the concrete. Print by Georges Braque.
living Half the room is a corridor, so furniture placement was crucial. The black square at left is a steel window box looking out to a light well. The rug was custom-coloured by Behruz Studio to match the concrete. Print by Georges Braque.
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Light pours onto this semi-internal space and shelving via another well-placed skylight. Balloon dog, IMM Living.
shelves Light pours onto this semi-internal space and shelving via another well-placed skylight. Balloon dog, IMM Living.
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 ??  ?? bathroom
Light comes through the shutters and is bounced around the room. Kaldewei ‘Classic Duo’ bath, Bathe. Tapware, Astra Walker. Tiles, classic penny rounds.
bathroom Light comes through the shutters and is bounced around the room. Kaldewei ‘Classic Duo’ bath, Bathe. Tapware, Astra Walker. Tiles, classic penny rounds.
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Carrara marble also features here and space is maximised by the mirrored cabinet. American oak handles, Kurv Living.
ensuite Carrara marble also features here and space is maximised by the mirrored cabinet. American oak handles, Kurv Living.
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2 Main bedroom
3 Bath/laundry
4 Living
5 Kitchen/dining
6 Garden
7 Garage
8 Office
9 Rumpus
10 Bedroom
11 Bedroom
12 Bathroom
1 Entry 2 Main bedroom 3 Bath/laundry 4 Living 5 Kitchen/dining 6 Garden 7 Garage 8 Office 9 Rumpus 10 Bedroom 11 Bedroom 12 Bathroom
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A black Japan finish on the pre-existing floorboard­s has given this downstairs room a more contempora­ry look. Original Carrara marble mantel. Selene pendant, Anibou.
main bedroom A black Japan finish on the pre-existing floorboard­s has given this downstairs room a more contempora­ry look. Original Carrara marble mantel. Selene pendant, Anibou.

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