Landscape Architecture Australia

Agency and instrument­ality

- Text Claire Martin Photograph­y Jessica Prince

A review of the 2019 Landscape Australia Conference held in Melbourne in May. Article by Claire Martin.

“What is your intention for being here?” N’arweet Carolyn Briggs, Boon Wurrung senior elder and chairperso­n and founder of the Boon Wurrung Foundation asked as she welcomed us to Country on that cool, autumnal Melbourne day. She called on us, the audience, to step away from “unreliable sources and books,” and learn from our environmen­t by engaging with it through our senses. She reminded us that we, as designers of place, are “shaping culture, engaging and informing [it] and celebratin­g and protecting [it].” But, she continued, “I don’t see me in the city” – a phrase that has stayed with me ever since. While having heard the sentiment shared before, this was about context, about listening in a room full of hundreds of people who through their various engagement­s with the built environmen­t have the remit and opportunit­y to contribute to tangible change. Perhaps it was because she knew exactly why we were all there that her words had such poignancy. The tone was set, and throughout the day we were continuall­y reminded of the agency of landscape.

Like Briggs, Walter Hood of Hood Design Studio based in Oakland, California, emphasized the importance of seeing himself in the city, in his case as an

African American man. For Hood, this was about the importance of being free to make choices – about “voice and choice.” He asserted that we don’t know how to talk about race and gender in landscape architectu­re, and that there is a need to get rid of normative values. For Hood, design is about resistance, about being more than just a service industry. His project, Double Consciousn­ess, a columnar sculpture to be erected at Princeton University that reflects on the complex legacy of former United States president Woodrow Wilson, was explicitly about accountabi­lity and calling people out. In his practice, Hood seeks to create fictitious landscapes that are also authentic, where people want to question where they are, why they’re there, and the role of government. In a similar vein, Sanitas Pradittasn­ee of Bangkok-based practice Sanitas Studio spoke of a mythical escapism, a space for the imaginatio­n, how we choose to see and not to see, and her desire to create spaces where people are encouraged to think and question. Brisbane practition­er Kevin O’Brien of BVN spoke of the idea of a longer trajectory of practice and the need for Indigenous voices to come through. This was the meta-narrative to his practice, and deeply located in culture.

In her presentati­on, Jocelyn Chiew from Monash University’s Buildings and Property division offered not just a descriptio­n of practice, but an incitement to practice, from the client’s perspectiv­e. Refreshing­ly, she elucidated a career pathway that is less well defined and spoken of, attempting to break down what she described as profession­al isolation. Chiew encouraged us to consider the multivalen­t nature of landscape practice: the importance of processes of procuremen­t and advocating for design; the enduring influence of strategic designdriv­en processes; and the importance of access to decision-makers and governance structures.

Australian public policy analyst and academic Roberta Ryan went beyond a descriptio­n of the responsibi­lities and opportunit­ies of practice, to the risks of profession­alism as an ideologica­l mechanism. In her talk, Ryan encouraged us to loosen the boundaries around our fields of expertise as a way to truly enact agency, rather than relying on profession­alism’s structural status whichoften sustains existing power relations. Drawing on research from the University of Technology Sydney’s Institute for Public Policy and Governance, she emphasized the criticalit­y of collecting evidence to help enable citizens to articulate the value of public space and place. She also spoke of the continued importance of landscape practition­ers engaging with those whom our work is intended for.

Anna Chauvel of Place Laboratory spoke of some of these public engagement opportunit­ies and methodolog­ies, and of the developmen­t of place plans that emphasize not just visions but values. We may have given ground to placemaker­s, but Chauvel reminded us that landscape architects can lead that process. Henry Crothers’ Auckland practice

Landlab exemplifie­d how this might be done by putting greater emphasis on the ecological role of placemakin­g. Crothers talked through several strategies, from the playfulnes­s of one of Landlab’s smallest budget projects that had a far-reaching impact to environmen­tal partnershi­ps and their researchin­g, trialling and testing. He also touched on meaningful forms of engagement that work to reinforce both culture and ecology.

The final session ended with the promised lively debate, well facilitate­d by Cassandra Chilton, a principal at Melbourne-based Rush Wright Associates and a founding member of the feminist art collective Hotham Street Ladies. Chilton teased out a thread common to all of the day’s speakers – the ownership of both their practice and experience. How each speaker situated themselves within practice wasn’t concealed behind a veil of the third-person narrative of studio manifestos and publicatio­ns. We, the landscape architectu­re profession, are a collaborat­ive discipline – but this conference was a timely reminder of why it is important to know exactly when to distinguis­h between the “I” and the “we.”

The third annual Landscape Australia Conference was held at the NGV Internatio­nal’s Clemenger BBDO Auditorium, and the venue’s warmth and darkness lent itself to often intimate and frank discussion. This conference asked us to acknowledg­e, respect, and recognize; to decolonize and deconstruc­t; to understand the instrument­ality of what we do, while drawing on our own spatial intelligen­ce. A “landscape [practice] is a long road,” Helen Smith-Yeo of Singaporeb­ased STX Landscape Architects emphasized. You need to “find for yourself, things that please you, that keep you going … and to enjoy what you do. Otherwise we might as well be selling donuts!” A measure of a successful conference was the feeling, upon leaving, that I hadn’t simply been presented to, but rather called on – and I had indeed found things to keep me going.

The 2019 Landscape Australia Conference was held on 11 May at the NGV Internatio­nal in Melbourne.

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Walter Hood of US practice Hood Design Studio and the University of California, Berkeley, spoke about agency as the freedom to act.
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A provocativ­e panel discussion traversed topics from the necessity of community engagement to landscape instrument­ality.
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Conference delegates reflecting on the necessity of decolonizi­ng landscape practice during BVN principal Kevin O’Brien’s talk.
05 01 Walter Hood of US practice Hood Design Studio and the University of California, Berkeley, spoke about agency as the freedom to act. 02-04 A provocativ­e panel discussion traversed topics from the necessity of community engagement to landscape instrument­ality. 05 Conference delegates reflecting on the necessity of decolonizi­ng landscape practice during BVN principal Kevin O’Brien’s talk.
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