Mac|Life

Image stabilizat­ion

iPhone cameras are surprising­ly good at cutting out wobbles — but how?

- Adam Banks

When cine cameras became small enough to hold in one hand, they began to change the way we recorded family memories, as well as liberating movie directors from the pedestals on which bulky filming rigs were wheeled around. But there was a visible problem: while most could hold a still camera — well, still for long enough to take a photo — shooting moving pictures resulted in what became known as ‘shakycam’.

While the producers of gritty dramas shrugged it off as a style, audiences — including your in–laws — were inclined to grumble that they felt seasick and couldn’t see what was going on. In the mid–1970s, cameraman Garrett Brown invented a counterwei­ghted, bodymounte­d gimbal system that used tensioned springs to transfer the operator’s movements to the camera without the jitter. Marketed as the Steadicam, it’s now become a Hollywood staple, but a rig costing tens of thousands of dollars and requiring weeks of training didn’t offer much hope for the quality of the average home movie.

Gyroscopic sensors

In the 1990s, SLR camera makers introduced stabilized lenses that used gyroscopic sensors to detect small movements, applying electromag­nets to move a lens element to help compensate. Originally designed to prevent blur due to camera shake in still photos, the same technology — generally referred to as optical image stabilizat­ion (OIS) — can be used for video, although the results are less predictabl­e. More recently, mirrorless camera makers have begun applying stabilizat­ion to the image sensor. Such practices can then work with unstabiliz­ed lenses, and allows larger movements to potentiall­y be eliminated once and for all.

Stabilizat­ion is described as operating in two to six axes of movement; beyond the three dimensions (or X, Y and Z axes), this refers to handling translatio­nal motion — where the camera moves up, down, left, right, backwards or forwards — as well as angular motion, where it tilts, yaws, or rolls. Miniaturiz­ed systems like those in iPhones and small drones use servo motors, while bulkier gimbals use smoother, brushless motors.

Electronic stabilizat­ion

As digital sensors took over from film, electronic stabilizat­ion also became feasible. A camera’s software compares each frame to the last, finding shifts that represent small, unintentio­nal movement or vibration, then shifting the pixels back.

Digital stabilizat­ion can’t quite match the results of its optical counterpar­t, though, unable to prevent motion blur affecting each frame, and larger amounts of movement still produce a rolling shutter effect. In this scenario, the sensor records each pixel in turn, and the time difference between the top left and bottom right of the frame distorts moving objects, creating a wobble ‘jelly’ effect.

Even so, because it doesn’t require any special camera hardware, only processing power, digital stabilizat­ion has become commonplac­e in phones, helped along by digital signal processor (DSP) chips. It’s the reason why clips from your iPhone look a lot steadier than those from old film reels or videotapes. But optical stabilizat­ion can do better if included.

First for phone cameras

Nokia’s Lumia 920, released in 2012, was the first phone camera with optical image stabilizat­ion, which helped both stills and video. But the 920 was criticized for being big and heavy, and as phones got slimmer and lighter, finding room for physical stabilizer­s got harder. It was only with the release of 2014’s oversized 6 Plus that the iPhone first offered OIS. Initially this was only optimized for still images, but with the folllowing year’s 6s Plus it was eventually applied to video as well.

Subsequent Plus models and the iPhone X use similar systems, with the iPhone X being the first to have dual OIS, whereas only the wide–angle lens in the 7 Plus and 8 Plus has optical stabilizat­ion. One catch is that the OIS system can’t be turned off. Users found that when used with external mounts that eliminate shake, such as a drone or handheld gimbal, Apple’s OIS makes the camera more susceptibl­e to small vibrations rather than less. Some choose to lock the iPhone’s lens in place with a magnet. This could affect the hardware over time but the risk is small.

In 2016, Chinese manufactur­er Oppo announced SmartSenso­r, a system for sensor stabilizat­ion in phones that claims to be more precise and energy efficient than lens–based OIS options. We haven’t seen it catch on as of yet, though.

 ??  ?? Optical image stabilizat­ion in iPhones attempts to do the same job as this Steadicam rig, using tiny motors.
Optical image stabilizat­ion in iPhones attempts to do the same job as this Steadicam rig, using tiny motors.
 ??  ?? Apple’s 2014 patent applicatio­n illustrate­s how magnets and springs are fitted around the lens to shift it in response to movement detected by gyroscopic sensors.
Apple’s 2014 patent applicatio­n illustrate­s how magnets and springs are fitted around the lens to shift it in response to movement detected by gyroscopic sensors.
 ??  ??
 ??  ?? Both of the iPhone X’s rear cameras have OIS. A longer focal length magnifies shake, so the telephoto has seven electromag­nets instead of four.
Both of the iPhone X’s rear cameras have OIS. A longer focal length magnifies shake, so the telephoto has seven electromag­nets instead of four.
 ??  ?? In this iFixit.com photo of the iPhone 8 Plus’ cameras, you can see the extra mount on the wide– angle camera (far right).
In this iFixit.com photo of the iPhone 8 Plus’ cameras, you can see the extra mount on the wide– angle camera (far right).

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