Mercury (Hobart) - Magazine

FESTIVAL

More than two dozen grassroots arts organisati­ons unite for Hobiennale

- WORDS TIM MARTAIN PHOTOGRAPH­Y MATHEW FARRELL

The first thing you need to know about Tasmania’s newest arts festival, the Hobiennale, is how to pronounce it. Combining the words Hobart and Biennale (a festival held every two years), festival curator Grace Herbert confirms the correct pronunciat­ion is Ho-bee-en-AH-lee. Or HB17 for short.

Hobiennale is the joint effort of 25 grassroots arts organisati­ons from Australia and New Zealand, each curating its own exhibition, each of which will occupy its own space – some convention­al, others less so – around the greater Hobart area for the duration of the 10-day festival.

Herbert, from Hobart arts organisati­on Constance, says asking these Artist-Run Initiative­s (ARIs) to create the festival themselves is a way of recognisin­g the vital contributi­on they make to the arts scene in Australia.

“In having conversati­ons with other organisati­ons around Australia, what we started to notice was that they were almost exclusivel­y volunteer-led, occupying grassroots spaces, led by their communitie­s, and were all trying to do a lot with very little,” she says. “These ARIs have a really big impact on the Australian cultural scene but they aren’t acknowledg­ed for it in terms of funding or recognitio­n.”

Herbert says by starting the festival they will capitalise on the rising reputation of Hobart as a centre for arts, tourism and festivals. The festival will occupy exhibition spaces in the Hobart CBD as well as Rosny, Glenorchy and Moonah, with about 100 individual artists involved.

Exhibition­s range from video installati­ons and visual arts to performanc­e art and a book that will be written over the course of the festival with the input of festival-goers.

Most importantl­y, the festival is free, encouragin­g people not only to experience the art but also learn a bit more about the ARIs who have worked to create and present it.

“Often these organisati­ons function as more than just exhibition spaces for their communitie­s,” Herbert says. “Bands might play there, people give talks, they might become political spaces, they fill all these different roles and this festival is about having that shared conversati­on about what the organisati­ons do.”

Rather than compete with other events that take place at the same time, Hobiennale aims to integrate itself with them, so audiences and resources are shared.

“For example, Open House Hobart is happening at the same time, so we have aligned with them for part of our festival, because we think it is important we all support each other,” Herbert says.

For more about Hobiennale, which runs from Friday, November 3, to Sunday, November 12, and its artists and organisati­ons, see Notebook on p4 or visit hobiennale.com

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