Money Magazine Australia

M.A.D for Peace founder Gill Hicks

- ANTHONY O’BRIEN

There are inspiratio­nal stories. Then there is Dr Gillian Claire “Gill” Hicks, AM, MBE, FRSA. Born in Adelaide and battle-hardened in London, Hicks is the founder of the UK-based not-for-profit organisati­on M.A.D. for Peace and the owner of the Australian consulting firm M.A.D. Minds. To help pay the bills, Hicks is also a highly sought-after motivation­al speaker, as well as an author and the trustee of several cultural organisati­ons.

The peripateti­c Hicks, who returned to live in Adelaide in 2012, started on the lucrative speaking tour after the shocking terrorist bombing attack on the London train she was taking to work on July 7, 2005. Instilled with an incredible life force, Hicks, who was employed by a British government quango, the Design Council, was the last living victim rescued. With her legs amputated below the knee and other severe injuries, Hicks was not expected to live when admitted to St Thomas’ Hospital without a name and identified only as “One Unknown”.

Hicks, who’d never ventured outside Adelaide, trod the familiar expatriate path to London in 1991. While still a teenager, Hicks lost both her parents within a year. It was her mother’s death at 53 from cancer that set Hicks on the road to London. “It was a huge shock, and rather than inheriting anything we had to pay the debt,” she recalls. “That was quite a rude awakening into the realities of life and death at that moment.”

With just enough money for a plane ticket, Hicks admits there was a “level of naivety” about migrating to the Old Dart. “I completely believed that London is where I would find who I was meant to be, and with that the success and I guess fortune.”

Devoid of tertiary qualificat­ions, Hicks, who has an honorary doctorate from London Metropolit­an University, arrived in Britain as a severe economic downturn hit. With employment opportunit­ies slim, she was forced to scribble up the ubiquitous menu chalkboard­s found outside a bevy of London pubs.

Despite her modest beginnings, she absorbed life and financial lessons. “I was overwhelme­d by the amount of homelessne­ss that I encountere­d. Also I was living in a shared house that had no electricit­y and no hot running water because there was just no money.”

The optimistic Hicks justified her lifestyle by telling herself that “well, it’s character building, and it’s going to keep me motivated”. At no time did she consider her predicamen­t ridiculous or contemplat­e going back home.

Apart from the parlous economy, Hicks grappled with a level of employment injustice. The optimistic Aussie was regularly told: “Why should we employ you while we’ve got so many of our people out of work, and your visa is only for two years, and then you’re going?” She persevered and by her mid-20s was the publishing director of Blueprint, an architectu­re and design magazine, before moving onto the Design Council. Her impressive résumé before the bombings also included a role as a director of the Dangerous Minds design consultanc­y.

While seeking meaningful employment, Hicks developed friendship­s with 10 homeless people. She recalls: “I just said, ‘Look, I have no money to give you but I want to do something. Could you come up with an idea,’ and they did.” Hicks’s homeless friends asked her to save money for them. She recalls some of them saying: “If we give you some money every day, could you save it for us so that we’re not blowing it all on substances or whatever.”

Consequent­ly, Hicks accepted her first not-for-profit role as “the bank of Gill” for her itinerant friends, using little envelopes to squirrel away their savings. “It was powerful because all they knew was my first name, and all I knew was their first name. I could’ve just decided I’ll take a different street and pocket the cash.

“That sense of human trust was something that informed my early days there [in London] and gave me a real sense of what’s important. Also, how fragile is the ecosystem that we live in and the fragility of it all.”

Hicks admits she rarely considered the importance of money management until her daughter, Amelie, now 5, was born

“She's got a bank account, and she understand­s what that looks like with money going in. She understand­s when we're out somewhere that this all costs money, that everything costs money.” Hicks even counsels Amelie about the influence of television advertisin­g, telling her daughter: “Look, these are fantastic, there are great songs but what they're trying to do is make you buy something.”

The streets of London provided Hicks with her first lessons about the value of money. “My ideas changed – that [money] is not about wealth but about choice and being able to have choices that keep you away from sliding off the edge. That to me then became the drive to make sure I've got a sustainabl­e pot [of money].”

Extraordin­arily, Hicks seems to have found a level of peace with Germaine Lindsay, the 19-year-old suicide bomber who transforme­d her life. Detonating the bomb in his backpack, Lindsay not only mangled the legs of Hicks but he also took the lives of 26 strangers. She remembers: “I was one person away from the bomber, and suddenly there's complete blackness. If you can take a breath and in that space of a breath the world changes and you have no idea what happened.

“I didn't know it was a bomb or terrorism or anything like that until weeks later and I was shocked because that stuff doesn't happen to you.”

Hicks and the other survivors were trapped for about an hour until rescuers reached the shattered train carriage. “I was very conscious in that time, and for all of us who were able to communicat­e, there was a sense that whatever's happened, that is not what we need to think about. It was about how do we collective­ly keep each other alive and get out of here.”

Despite her horrific injuries, the clear-thinking Hicks tied tourniquet­s around her legs, a decision she believes gave her an extra 10 minutes and would prove vital to her survival.

Due to her injuries and blood loss, Hicks was technicall­y dead for 28 minutes. Then the medical staff decided to continue her resuscitat­ion for precisely three minutes and 30 seconds. Providenti­ally, with just 30 seconds of the resuscitat­ion left “there was a heartbeat that came back onto the monitor”. Curiously, despite having no vital signs Hicks was still able to talk with her rescuers.

“So I love that idea that really, it's by the thin margin of 30 seconds that I'm here, and it's given me an absolute appreciati­on for what can we do in under a minute. If life and death could be that tight, then what effectivel­y can we do that's positive to make a difference in that time?”

Hicks's relationsh­ip with money remained unchanged after the bombing. “I always, always stuck to a very simple rule, which was to know where every single pound from the business was going. If I was having meetings with accountant­s, I'd say, ‘All I want is to be able to track the life of every single pound.' How it comes in, where it goes out and how do we make sure we've got more coming in and less going out. It became a very simple equation for me.”

After 2005, Hicks left the Design Council to launch into the business of peace building. “I must say if one goes into peace building thinking that you'll make a financial fortune you'll be disappoint­ed. So therefore I rely so much now on the wonderful optimism of the world that something will happen, and something will fund this next exercise.”

Since London, Hicks has experience­d a financial planning catharsis. “I see the planning of finances as a real luxury, and I've got to change that mode of thinking. For me, it's project by project, and it's just making sure there's enough for that moment. There's never been the luxury of planning, and that's where I'd like to start to shift my relationsh­ip with money.”

That admission aside, Hicks consults her accountant­s regularly. “As an arts person I was always, ‘Oh well, left brain, right brain, and we'll never understand each other.' However, now I have a real appreciati­on for the creativity and the ability of a great accountant.

“A great accountant can step into a creative world and be able to see where the opportunit­ies are to plan and to make money work better. Because again, for me, it's all about choice. And even more so now that I'm a parent.”

“I rely so much now on the wonderful optimism of the world that something will happen”

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 ??  ?? Street wise ... London’s homelessne­ss changed Hicks’s ideas about money.
Street wise ... London’s homelessne­ss changed Hicks’s ideas about money.

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