NPhoto

Not using exposure compensati­on

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Matrix metering does a fine job of producing balanced exposures for the majority of day-to-day photo opportunit­ies. However, faced with an overly bright or dark subject or scene, the camera can get things wrong. Despite Matrix metering essentiall­y applying its own exposure compensati­on to deliver what it determines is an optimum exposure, it may not be accurate.

Manually dialling in exposure compensati­on at the time of shooting is far better than trying to rescue an under- or over-exposed image later. Pushing the brightness of an image that’s very dark in Photoshop can lead to noise in shadows, while trying to eke some detail from burned-out highlights can lead to ‘digital’-looking results.

 ??  ?? A bright, foggy scene may appear too dark if you don’t apply positive exposure compensati­on: the camera wants to make the fog grey rather than white
A bright, foggy scene may appear too dark if you don’t apply positive exposure compensati­on: the camera wants to make the fog grey rather than white
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