NPhoto

On assignment

Profession­al wedding photograph­er Nadia meli dresses us up for an appointmen­t with Nikon’s Wedding Collective Look Book project

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Nikon Ambassador Nadia Meli takes a walk down the aisle with Nikon’s Wedding Collective Look Book project

The Nikon Wedding Collective Look Book is a photograph­y trends collection focusing on classic, current and emerging wedding photograph­y trends. The series is hosted on the Nikon Europe website and includes informatio­n from all members of the Nikon European Wedding Collective – including photograph­ers and influencer­s from France, the UK, Italy and the Czech Republic. There are lots of photograph­s to illustrate our trends, as well as top tips for how to recreate certain trends.

Nikon got in touch with me almost a year ago to see if I wanted to be part of this project, and as a Nikon user and Nikon Ambassador I couldn’t say ‘yes’ quick enough! It’s been great to connect with photograph­ers and influencer­s from across Europe and learn about wedding traditions and photograph­y trends in other countries.

The Look Book project was especially important because wedding photograph­y has evolved so much, especially in the past few years. I think it’s really important to show that evolution.

All of my shots featured within the Nikon Wedding Collective Look Book came from my wedding portfolio – so it was great to include a variety of different shots from different weddings. I don’t usually get a lot of time to scout out a location before shooting on the Big Day, since most of my work is abroad, so I have to act fast on the day of the wedding – I have to be creative with what I have. Most locations I shoot at end up being very spontaneou­s choices, depending on where I have good light in that moment or what is happening on the day – wedding photograph­y is all about being flexible after all!

As soon as I had the briefing by Nikon I knew almost instantly which images would work and for what category. The photograph­s were taken over a period of about three years, and were shot on a D750 or D850 with my favourite lenses, the AF-S 35mm f/1.4g and AF-S 85mm f/1.4g. Both cameras are fast and precise, the ISO is phenomenal (great for wedding photograph­y) and the lenses are my favourites because they just are! I can’t even explain why, but I adore how the 35mm gives an image just the right amount of energy without being too wide-angled.

I loved contributi­ng to the Look Book because I care about showing that wedding photograph­y is so different from, say, 10 years ago. It’s moved on from being quite editorial and is much more natural and documentar­y these days – the emphasis is more on the organic course of the day and not on posing clients in a park or in a studio.

Shooting a wedding is both physically and mentally very demanding. Not only are you on your feet for 10-plus hours at a time, but you’re also more than a photograph­er. Often you take on the role of the event planner; have to manage time schedules; have to be a friend to the bride or a psychologi­st dealing with difficult family members; and have to smile throughout doing it all and still manage to capture the day creatively!

You must stay focused and sharp all day in order to not miss the little serendipit­ous moments in-between – the moments that not everyone sees but are exactly the things that people will be wanting to see when the day is done.

Another challenge, not directly related to the wedding itself, is that you miss out on having a social life here and there. This is because you’re away at the weekends when people usually meet. I’ve missed birthday parties, family weddings and general social events which is a hard to deal with… but you’ve got to keep in mind what it’s about: two people’s special day!

To see the latest trends in wedding photograph­y from leading Nikon pro photograph­ers, see the Look Book at: http://bit.ly/nikonlb

I loved contributi­ng to the Look Book because I care about showing that wedding photograph­y is so different from say 10 years ago

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 ??  ?? Reportage Nikon D750, 85mm f/1.8, 1/1000 sec, f/2, ISO100 the golden hour Nikon D750, 35mm f/1.4, 1/1250 sec, f/2.8, ISO200
Reportage Nikon D750, 85mm f/1.8, 1/1000 sec, f/2, ISO100 the golden hour Nikon D750, 35mm f/1.4, 1/1250 sec, f/2.8, ISO200
 ??  ?? 1 Simplicity Nikon D750, 35mm f/1.4, 1/1250 sec, f/2.8, ISO200
1 Simplicity Nikon D750, 35mm f/1.4, 1/1250 sec, f/2.8, ISO200

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