NPhoto

Portfolio review

Tina Bark loves shooting people in pairs, and shares a selection of her shots of a couple’s engagement, friends in a field and young twin sisters

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We take an in-depth look through a reader’s portfolio, proving that portraits of couples are twice as much fun…

Photograph­ing people is what I love – to show their personalit­y and evoke an emotion from the viewer. There is no better feeling to me than seeing the smile spread across someone’s face who is viewing their family photograph­s for the first time. I shoot on location with only the available lighting. This usually means I’m shooting outdoors, so it posed a few issues for me when I was asked to take some engagement photos inside a local bar [1]. I handheld the camera and had to use a slower shutter speed because of the low light conditions. I enjoy the warmth of the shot but think, if I had to do it again, I would play more with the reflection on the bar top and bring a tripod.

When I am shooting outdoors I always look for that element in the natural environmen­t that will enhance the look of the image I’m trying to capture. I took a short walk through a school campus with my daughter and her college room-mate and saw a small patch of weeds that I thought would nicely match up with the warmth of the sweaters [2]. I tried to create an autumnal feeling, even though everything around

us was still very green. I’m quite satisfied with the photo as you can’t tell that it wasn’t shot in the autumn.

My third shot is of a pair of identical twins who suffer from two rare genetic disorders [3]. Their mobility is often compromise­d so I went into the shoot thinking posing would be easy, but I got them on a good day. They were normal, active children – here, there and everywhere – so my challenge was reining them in while the evening light disappeare­d quickly behind them.

If shot this again I would definitely give myself more time to shoot. There were wooded areas I wanted to take a few shots in, but by the time I got the girls to cooperate the sun was dropping fast and the field was the only spot with enough light.

N-photo says

Tina, your photograph­s certainly convey the emotion that you were trying to capture, and are a strong set of portfolio images. You have three very different takes on shooting pairs of people together, and each one, although very different in tone, demonstrat­es your unique styling.

It’s clear that you have a lot of creative ideas when heading out for these portrait shoots, but we feel that, as you have indicated in your descriptio­n, a little more preparatio­n could be the key to unlocking a stronger set of images.

The engagement shoot in the bar, although technicall­y strong with its sharp focus and good exposure, perhaps doesn’t instantly strike us as an engagement, but rather friends going out for drinks [1]. It would be nice to see this compositio­n with the happy couple together, arms around each other, or engaged in sweet talk. A bit more intimacy would paint the picture of an engaged couple.

Photograph­ing people is what I love – to show their personalit­y and evoke an emotion from a viewer

In the photo of your daughter and her room-mate, you’ve done brilliantl­y to capture an autumnal image when it’s in fact not even autumn [2]. The yellowish-oranges of the dry reeds and feathery grasses mixed with the knitwear create a patchwork of autumnal motifs. The informal posing also does better than the engagement shoot to demonstrat­e the relationsh­ip between the two of them.

The sweet photo of the twins is lovely [3]. That warm, sunset glow bathing them and the field in gorgeous light is so inviting. The way they hold themselves in front of the camera – so relaxed – is wonderful, and without your descriptio­n we never would’ve guessed they were as active as that during the shoot. Again, a little more planning beforehand may have enabled you to take more pictures, but you live and learn.

The one thing we have noticed in this final shot, though, is that you’ve missed the focus. In this final shot the focus is about four to five metres (13-16 feet) behind the twins (you can see the grasses in focus way in the background). We suspect that you may have accidental­ly overlooked the focus while trying to corral the children? Either way, we think you’re aware of this already, as there seems to be some sharpening/clarity adjustment around the faces, but there’s no making up for getting your shot in focus in the first place.

But still, a wonderful set of photos to be proud of, that need just a little more prep and planning.

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 ??  ?? 2 1 Engagement at the localNikon D600, 2485mm f/3.5-4.5, 1/30 sec, f/4, ISO800 2 Autumnal Nikon D3100, 2485mm f/3.5-4.5, 1/125 sec, f/5.6, ISO220
2 1 Engagement at the localNikon D600, 2485mm f/3.5-4.5, 1/30 sec, f/4, ISO800 2 Autumnal Nikon D3100, 2485mm f/3.5-4.5, 1/125 sec, f/5.6, ISO220
 ??  ?? 3 3 Field of Twins Nikon D600, 2485mm f/3.5-4.5, 1/100 sec, f/4.5, ISO80
3 3 Field of Twins Nikon D600, 2485mm f/3.5-4.5, 1/100 sec, f/4.5, ISO80

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