NPhoto

Colour-correct an image

James Paterson shows how to correct nasty colour casts and boost images with a range of Affinity Photo tools

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Enhance colours in Affinity Photo

Affinity Photo offers an array of excellent colour correcting tools. In this tutorial we’ll look at some of the best options, from simple white balance adjustment­s to powerful selective colour tweaks.

Along the way we’ll encounter many of the most useful colour tools and settings in Affinity Photo. Whether you have a photo with a colour cast, a portrait with unnatural skin tones, or a colour temperatur­e mismatch, the techniques described here are sure to help.

We’ll use adjustment layers to make a series of colour tweaks. These allow us to make our changes on separate layers, so we can always go back and tweak things later if need be. At first we’ll use the White Balance command. This lets us correct the yellow cast in our original photo by using a colour picker to source a neutral point in the image. If things still don’t look right we can tweak things manually. Whilst doing so, it can be helpful to boost saturation to eye-popping amounts to get an exaggerate­d idea of the colour shifts. From here we can go on to tweak the balance of colour using the Colour Balance command, which lets us fine-tune colour shifts in the shadows, midtones or highlights.

Finally, we can boost colours, by targeting certain ranges in the shot (we’ve chosen to boost the reds in out example), or by using masks with adjustment layers to isolate and alter specific portions of the image.

1 Set the white balance

Open the image into Affinity Photo. If it’s a Raw format image then use the White Balance controls in the Develop Persona (see box). For JPEGS like this, head to the Layers panel in the Photo Persona. Click the Adjustment Layer icon at the bottom and choose White Balance.

2 Click on a neutral

Go to the White Balance dialogue and click on ‘Picker’ then click over an area that should be neutral, like the edge of the grey spoon here. If the first click isn’t right, continue clicking over different areas to try to find a neutral spot to sample from, or you can try tweaking the sliders manually.

3 Colour judging trick

When manually adjusting white balance a temporary saturation boost can help you judge things. Highlight the bottom layer then add an HSL adjustment layer. Set Saturation to 100%. Double-click the White Balance layer and tweak the sliders to remove the cast. We set -56% and +83%.

4 Tweak highlight colour

Turn off the HSL layer. The highlights look a little blue, so we can tweak them with a Colour Balance adjustment. Click the Adjustment Layer icon again and choose Colour Balance. Set Tonal Range: Highlights then drag Cyan/red to the right and Yellow/blue to the left to warm up the highlights a little bit.

5 Enhance the reds

Next up, we can use a Selective Colour adjustment layer to boost the reds of our spices. After adding the layer, choose Reds in the colour dropdown then increase Magenta to boost the reds in the spices. Next target Yellows and increase Cyan and Yellow, as shown.

6 Selective contrast boosts

Add a Curves adjustment layer then drag an S-shaped curve line, as shown, to boost contrast. Hold Alt and click the Layer Mask icon in the Layers panel to hide the effect, then grab the Brush tool and paint white over the green herbs to selectivel­y reveal the change in contrast.

Quick Tip

One of the big advantages to shooting in Raw is the option this gives you to adjust the white balance and colour space after the fact. This is because Raws hold far more colour informatio­n than their JPEG counterpar­ts. So we are able to tweak the Temperatur­e and Tint sliders in the Develop Persona – or click on a neutral point in the image with the White Balance tool – with exactly the same results as if we’d set the white balance in-camera before taking the photo. By contrast, attempting to tweak white balance in a JPEG after the fact can often lead to unnatural-looking colour shifts.

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