NPhoto

Z 24mm f/1.8 S

Another stellar prime for Nikon mirrorless

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The Nikon Z 24mm f/1.8 S has modest-sounding specs by today’s standards, but there’s nothing wrong with that. While some lens manufactur­ers have been bulking up their offerings and creating heavy f/1.4 optics and faster glass, Nikon has stuck to a more modest f/1.8 aperture rating for the primes in its Z-mount S-line stable. The Nikon Z 58mm f/0.95 Noct is a notable exception but the rule of thumb is that, while the 24mm, 35mm, 50mm and 85mm f/1.8 lenses certainly aren’t small, they’re quite compact and lightweigh­t. This makes them look and feel a perfect match for the Nikon Z 6 and Z 7 full-frame bodies. Sharing the same 72mm filter thread as the Nikon Z 24-70mm f/4 S standard zoom, the 24mm is also a similar size and weight. As usual for Z mount primes, there’s a switch for auto/manual focusing and the large manual focus ring is electronic­ally coupled to the stepping motor that drives AF. You can also customize the action of the focus ring during autofocus, to silently control the aperture value or apply varying amounts of exposure compensati­on.

The optical path is based on 12 elements in 10 groups, and includes four aspherical elements and an ED (Extra-low Dispersion) element. The overall aim is to maximize sharpness and contrast while keeping distortion­s and chromatic aberration­s to a minimum. Nano Crystal Coat is also applied to minimize ghosting and flare, and to retain good contrast even when shooting into the light.

Build and handling

High-quality plastics and a metal mounting plate combine to give the lens a solid and sturdyfeel. Every joint and moving part of the lens’s exterior is fitted with a weather-seal, from the focus/ control ring and frontal areas to the A/M switch at the rear. There’s also Nikon’s usual rubber ring around the mounting plate.

The manual focus/control ring is comfortabl­y large but, typically for an electronic­ally coupled ‘fly by wire’ mechanism, gives practicall­y no mechanical feedback. Even so, it operates smoothly and enables very precise manual adjustment­s.

Performanc­e

There’s little point in having a fast, wideapertu­re lens if sharpness and contrast drop off horribly when shooting wide-open. To its credit, the Nikon Z 24mm delivers spectacula­r sharpness and contrast even at f/1.8, right across the frame. It reaches even dizzier heights of sharpness at apertures of between f/2.8 and f/5.6, returning to excellent values from f/8 to f/11. Shooting wide-open at or near the shortest focus distance, you can shrink the depth of field sufficient­ly to make close foreground objects stand out against a blurry background.

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 ??  ?? The lens manages to bring out the subtlest of details even in very dull ambient lighting, aided by Nikon’s in-camera Active D-lighting.
The lens manages to bring out the subtlest of details even in very dull ambient lighting, aided by Nikon’s in-camera Active D-lighting.
 ??  ?? There’s practicall­y zero colour fringing, even in the extreme corners of the frame.
There’s practicall­y zero colour fringing, even in the extreme corners of the frame.

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