NPhoto

Mike Harris has a quick chat about the exposure triangle

Mike Harris remembers all too well how difficult it was to conquer the exposure triangle, but everyone can do it!

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This month I visited Thruxton race circuit to photograph the British Superbikes for the first time since the pandemic began (see how I got on via my Instagram: @mdharrisph­oto). My love of motorsport comes from my dad, who was busy shooting next to me. I wouldn’t call him a photograph­y enthusiast, but he’s always owned a point-and-shoot camera of some descriptio­n. Until, a few years ago, he decided to fulfil a long-held dream of owning a Nikon DSLR and purchased a D3400.

Out of one’s depth...

Unfortunat­ely, it didn’t take long for him to label the camera ‘too complicate­d’ and, try as I might, he wasn’t overly interested in learning the exposure triangle or indeed anything this capable little DSLR could do.

You can imagine my surprise then, when at Thruxton he offered me a rare glimpse of his Playback screen and a tack-sharp image of a motorbike flying full throttle down the home straight. “That’s a great shot,” I said. “Are you on Auto?” He shook his head: “Shutter Priority. I thought it was about time I started learning how to use this thing properly…”

A couple weeks later and I was writing the Nikon Z fc review (page 98), pondering what a shame it would be if you bypassed the camera’s beautiful exposure setting dials altogether and only ever shot in Auto mode.

Now, if Auto mode is all you ever want from a camera there is nothing wrong with that at all. But if – like my dad – you’ve put off using other modes just because you think they’re too complicate­d for you, you’re not alone.

I think most photograph­ers would agree that exposure is one of the most difficult concepts to grasp in photograph­y. Not only does it require you to understand shutter speed, aperture and ISO as individual elements, but you then need to get your head around how they work together.

And yet it’s also the most liberating concept in photograph­y. Once you get exposure, you begin to operate your camera with intent. This is the point where your photograph­y world really opens up and, with your newfound confidence and renewed passion, you’re able to conquer other elements such as focus and focal length.

So, if my dad’s story seems at all familiar to you, why not take the plunge and ditch Auto mode this month? Aperture and Shutter Priority are great starting points, since you only need to worry about one or the other, plus ISO. Trust me, all of a sudden it will click and then the possibilit­ies are endless!

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