NPhoto

Make sense of sensors

Understand­ing how camera sensors work can help you get a better tonal range in your images

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Digital images are created from millions of individual pixels, created by sophistica­ted processing by the EXPEED processor within your Nikon camera. Turning the image you want to shoot into a digital version is a complex process and understand­ing a little bit about this process will help you set up your camera to record a wider dynamic range and tonality in your shots. The camera’s sensor is made up of light-sensitive cells, known as photosites. Each photosite is tiny; approximat­ely 0.004mm across. They create an electrical signal in proportion to brightness that they receive through the lens from a given part of a shot. Photosites only see luminance, not colour. To produce a colour image, each photo site has a mini coloured filter across it, either red, green or blue. This is known as a Bayer Array. A photosite with a green filter will only see colours that have some green light in them, likewise for the colours on the other photosites. As practicall­y all colours can be created by mixing red, green and blue (RGB) light together, the photosites work together to create the pixel colours we see in our images. For example, a photosite with a green filter can effectivel­y see ‘blue’ light by using informatio­n from the neighbouri­ng blue and red filtered photosites. This process is known as demosaicin­g. When your camera is set to JPEG, each photosite can register 8 bits of data, which means that you get 256 shades of brightness. Raw files take this tonality to another level. 12-bit Raw files give you 4,096 shades of brightness, while with 14-bit Raw files a staggering 16,384 levels of brightness can be recorded per pixel. For JPEGS, when you combine the shades of brightness with the colour informatio­n from the demosaicin­g process you get somewhere in the region of 16.7 million possible colours. Raw files, on the other hand, will show many more colours and a wider brightness range (dynamic range), and therefore much smoother tonal graduation­s between each different shade of colour in your images.

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