NPhoto

Profession­al opinions on the Z 9

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Paul Wilkinson Portrait photograph­er

The first thing I noticed about the Nikon Z 9 is how it felt: it is not a lightweigh­t camera by any means – just a 100g slimmer than my beloved D5 – but it balances beautifull­y against the Nikon Z 70-200mm f/2.8 VR S (my current go-to lens). The camera feels natural in my hands; every button, dial and joystick is located where it should be. Given there is no mirror, no prism, no shutter and a completely new flip-screen, it is remarkable how this camera feels more like my Nikon D5 than my Z 7II. And that is a good thing. The speed of this thing is, frankly, addictive: the immediacy of the release and the AF is pretty much instant. With a 20fps continuous shutter rate, things can get quite lively (and with no mechanical shutter, they can also be incredibly quiet). It can sometimes feel like you’re shooting video: except that you are slamming 20 massive Raw files into those memory cards every single second! The electronic viewfinder (EVF) and the articulati­ng screen are bright and clear, though having shot with SLRS all my life I am still acclimatiz­ing to using the EVF. That said, being able to flip it out completely, in portrait and landscape modes, is useful – it certainly saves having dirty knees to get those low-angle shots! I have to mention the Ai-driven focusing at this point. It is addictive. As a portrait photograph­er, I love being able to use my Z 85mm f/1.8 S lens wide open, knowing that the eyes will be pin-sharp shot after shot after shot. If your subject is further away, the focus changes to the whole face and, eventually, the whole body. It’s unnervingl­y accurate.

Andrew Mason Wildlife photograph­er

With the Z 9, the improved AF meant it was time to go mirrorless. I have changed my Nikon 14-24mm f/2.8, 24-70mm f/2.8 and 70200mm f/2.8 F-mount lenses for the new Z-mount equivalent­s. I have kept my Nikon F-mount 600mm FL f/4mm and 180-400mm f/4mm TC1.4 lenses, and have found the autofocus of the Z 9 with the FTZ II adapter on these two F-mount lenses is as fast as – if not faster than – my D5 and the D850. Photograph­ing birds in flight is a great real-world test of AF. I photograph­ed short-eared owls backlit, shooting towards the setting sun late in the afternoon, which is even more demanding for AF. I used AF-C with Wide-area AF (Large) and Animal subject detection selected. The Z 9 found and locked onto the owls’ eyes – it really works! I also could move the focus area out to the peripherie­s. The increased burst speed of up to 20fps for Raw images makes it easier to catch the critical moment. As the Z 9 has no mechanical shutter, it makes virtually no noise, which is a real advantage when photograph­ing sensitive wildlife. Image quality is on par with – if not better than – the D850. The Z 9’s high resolution allows cropping for wildlife to tweak compositio­ns, and also allows images to be downsized, which has the effect of reducing image noise; this is useful when shooting wildlife in low light using high ISO. But as the Z 9 has no mirror or shutter there is no mechanical vibration when shooting and, together with the in-body stabilizat­ion, the Z 9 will allow me to use a slower shutter speed than with the D850 resulting in lower ISO and cleaner images.

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