NZ House & Garden

“Fearless” is how our writer describes the owner of this bold, colour-splashed Oamaru home.

A bright new build is a vivacious addition to historic Oamaru

- WORDS SUE HOFFART PHOTOGRAPH­S JANE USSHER

Two blocks up the hill from Oamaru’s renowned historic precinct, Anne-Marie and Michael Forgie’s contempora­ry abode is definitely different. Their cerise mailbox and the matching front door overlook a sea of traditiona­l gabled houses in muted tones and sit just beyond grand pillared stone buildings from the 1800s.

But Anne-Marie has never been afraid to stand out from the crowd. The couple’s previous home, a villa on the southern town’s rural outskirts, was swathed in 36 shades of pink, purple, orange, aqua and green.

“I’ve always been drawn to colour,” she says. “Pink and purple especially, much to my very sensible mum’s horror. I’m sure she wonders where on earth I came from.”

It isn’t that this sunny-natured homemaker courts controvers­y, she is just firm in her taste. And she is fearless about change.

The Forgies moved to Oamaru from Christchur­ch in 1992, after Michael’s father’s business partner died suddenly and Michael needed to step into the family business. Within a fortnight

of receiving the news, the young couple had packed up their lives, placed their house on the market and driven south with ninemonth-old daughter Summer.

By the time son Tasman arrived two years later, Michael was managing the Forgie Hollows & Associates quantity surveying office and Anne-Marie was determined­ly renovating the early 1900s villa on their 3.6ha lifestyle block.

“Oamaru was a big change for us, coming from Christchur­ch, but it was a 100 per cent great change. We’ve always really loved living here. I wouldn’t move anywhere else.

“Because my mother was a schoolteac­her and I’ve lived everywhere in New Zealand, I’ve never had a home town. It’s not that I had a terrible childhood – I didn’t at all – but I feel so lucky that my kids can say, ‘We grew up in Oamaru.’”

However, the children eventually left home, the sprawling cottage garden started to seem too large and their resident sheep and cows required a little too much work, so the empty-nesters agreed to sell and move downtown. The enthusiast­ic new home owner bought everything: beds, sofas, curtains, art on the walls. “I even left the Christmas tree up, with all the beautiful decoration­s and presents under the tree for the new people.”

Michael and Anne-Marie loaded vehicles with their children’s remaining belongings, clothing, a favourite chair and a few boxes of memorabili­a and headed straight to the family holiday home in Cromwell, where they had been spending Christmase­s for about 15 years.

In January 2013 the Forgies returned from Cromwell to live in a rental property, hunt for a section and draw up building plans with help from the same friend who had designed their holiday house. Once they had found the right piece of land, architectu­ral designer Ian Perry worked with Michael to create this house that maximises use of the steeply sloping site.

“We both like the square, modern, boxy look and Ian is so good and so clever and just seems to get it. It’s not a huge house but it’s very functional. And it had to fit in with the beautiful buildings here; we tried to make it attractive.” >

‘I’ve always been drawn to colour. Pink and purple especially, much to my very sensible mum’s horror’

Some locals voiced disapprova­l that the old bungalow on the property was going; many had attended great parties at that address. One curious gentleman made a point of inspecting progress every day for the two years it took to complete the project. A woman, aged about 80, delighted Anne-Marie with her straightta­lking assessment. “I don’t mind this house,” she pronounced as she passed by one day. Anne-Marie thanked her, saying she hadn’t heard any negative comments about the modern design. “Not to your face,” the woman shot back.

Thanks largely to Michael’s project management experience and meticulous planning, it was finished in the nick of time, just two weeks before their daughter’s wedding in November 2015.

“It’s an amazing house to live in. We can look out at the sunrises and get amazing afternoon sun and I love the view over the sea. I think I’d never appreciate­d how beautiful the sea is before.”

Q&A

Living here: Feels like I’m in a hotel. I love it.

I refused to have: A scullery, because I’m too social and I wouldn’t want to go in it. I know it’s a big no-no for resale but I don’t care.

We usually spend Christmas: In Cromwell. I do a tree and more subdued decoration­s in duck-egg blue and silver. I dress the table beautifull­y but it’s too hot to go overboard. Last year, I ran into trouble with my homemade Christmas crackers because it was about 100 degrees and the chocolate Santas oozed out of their foil. Michael is: Very accommodat­ing. In our last house, when I painted the laundry green, pink and purple, he did ask, “Are you sure?” When I said yes, he left me to it. Anne-Marie Forgie

 ??  ?? THIS PAGE Anne-Marie and Michael Forgie’s Oamaru home overlooks the town and sea; Anne-Marie made the chandelier above the dining room table – it lights up at night; the table is set with a Bluebellgr­ay dinner set, New Zealand fairies from Away with the Fairys in each bowl, and a small gift instead of traditiona­l Christmas crackers.OPPOSITE (clockwise from top left) “Much as I love flowers, it was time to have natives,” Anne-Marie says of the pared-back landscapin­g. Beyond the Christmas table sits a miniature tree made of strawberri­es – Anne-Marie uses a floral Oasis cone, skewers strawberri­es on toothpicks, dusts with icing sugar and tops with a fairy. The splashback features a bright floral wallpaper. Anne-Marie wraps gifts to tuck under her blue and silver-trimmed tree in the living room; the wall mural is by Komar; she wears a dress by Trelise Cooper: “I’m a real fan of her clothes but mostly of her. I think she’s such a giving person and a lot of people don’t know that. I’m incredibly loyal to her.”
THIS PAGE Anne-Marie and Michael Forgie’s Oamaru home overlooks the town and sea; Anne-Marie made the chandelier above the dining room table – it lights up at night; the table is set with a Bluebellgr­ay dinner set, New Zealand fairies from Away with the Fairys in each bowl, and a small gift instead of traditiona­l Christmas crackers.OPPOSITE (clockwise from top left) “Much as I love flowers, it was time to have natives,” Anne-Marie says of the pared-back landscapin­g. Beyond the Christmas table sits a miniature tree made of strawberri­es – Anne-Marie uses a floral Oasis cone, skewers strawberri­es on toothpicks, dusts with icing sugar and tops with a fairy. The splashback features a bright floral wallpaper. Anne-Marie wraps gifts to tuck under her blue and silver-trimmed tree in the living room; the wall mural is by Komar; she wears a dress by Trelise Cooper: “I’m a real fan of her clothes but mostly of her. I think she’s such a giving person and a lot of people don’t know that. I’m incredibly loyal to her.”
 ??  ??
 ??  ?? THESE PAGES (from top left) Michael and Anne-Marie Forgie: “A house is important to us, I love walking into my house every day. We’d rather buy a piece of art than travel.” Guests often comment on the circular living room chair that was bought for its hue rather than its comfort level and was made in China for a now-defunct Wellington store. The self-contained top floor of the house includes kitchen, living, a quirky powder room and the master bedroom “so it feels like a little apartment”.
THESE PAGES (from top left) Michael and Anne-Marie Forgie: “A house is important to us, I love walking into my house every day. We’d rather buy a piece of art than travel.” Guests often comment on the circular living room chair that was bought for its hue rather than its comfort level and was made in China for a now-defunct Wellington store. The self-contained top floor of the house includes kitchen, living, a quirky powder room and the master bedroom “so it feels like a little apartment”.
 ??  ??
 ??  ??
 ??  ??
 ??  ??
 ??  ??
 ??  ?? THIS PAGE (clockwise from top left) Designers Guild bedding and a crushed velvet headboard in the master bedroom. The laundry is brightened by Bluebellgr­ay wallpaper. Friend and architectu­ral designer Ian Perry drew plans for the Forgies’ home, which is so close to town they need only one vehicle. “I walk everywhere,” says Anne-Marie. Dunedin artist Tyler Kennedy Stent was commission­ed to create the painting Hap inside the pink front door; the Forgies’ only stipulatio­n was that it be of a child and it should be cheerful: “We think it makes people feel fabulous and happy and joyful when they come into our home,” says Anne-Marie.
THIS PAGE (clockwise from top left) Designers Guild bedding and a crushed velvet headboard in the master bedroom. The laundry is brightened by Bluebellgr­ay wallpaper. Friend and architectu­ral designer Ian Perry drew plans for the Forgies’ home, which is so close to town they need only one vehicle. “I walk everywhere,” says Anne-Marie. Dunedin artist Tyler Kennedy Stent was commission­ed to create the painting Hap inside the pink front door; the Forgies’ only stipulatio­n was that it be of a child and it should be cheerful: “We think it makes people feel fabulous and happy and joyful when they come into our home,” says Anne-Marie.

Newspapers in English

Newspapers from Australia