Photo Plus

The Pro Interview

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Canon pro shooter Guy Edwardes talks about the perks of the photograph­y industry

Guy Edwardes talks to David Clark about running a photograph­y business, his favourite locations and the gadget he couldn’t do without

Serene landscapes, dramatic wildlife action, delicate plant studies and mind-blowing photograph­s of the Aurora Borealis: in a career spanning 20 years, Guy Edwardes has photograph­ed an extraordin­ary wealth of subjects that mother nature has to offer.

Combining technical precision with natural history knowledge, he is continuall­y looking for fresh angles, new perspectiv­es and innovative ways to create eye-catching images. Speaking over the phone from his Dorset home, Guy reflects on how digital technology has changed his business, the kit he uses, the importance of calibratin­g your lenses and the one type of photograph­y he’d like to avoid at all costs…

Did your interest in the natural world begin in childhood?

It definetely did, yes. That’s really what got me into photograph­y. After school I studied nature conservati­on for about three or four years. I was planning on doing it as a career, but as I came to the end of the course it was obvious that there were no real career prospects. But I was still interested in working within that specific area.

Were you already into photograph­y at that point?

I took up photograph­y at around the age of 14 and bought my first SLR, a Canon EOS 650, soon afterwards. I was almost exclusivel­y photograph­ing birds to begin with, but I gradually developed more variety and interest in my selection of natural history shots. Landscapes didn’t come along until later.

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