DAVID’S 10 STEPS TO GREAT CATHEDRAL SHOTS

1 Lap the building

Take a complete tour and spot everything from classic wide shots of the nave and chapels, to long lens details. Make a mental list of each focal length and position and get to work.

2 Use a tripod if possible

Always ask for permission to use a tripod inside cathedrals/churches. A tripod stabilizes your camera to produce sharp, clear images at lower ISO, especially in low light conditions. You will be surprised how many places will agree.

3 Embrace symmetry

Symmetry adds a powerful visual impact to your images. Cathedrals are often incredibly precise. Align your camera with floor tiles and features to capture the architectural balance of the interior.

4 Wide-angle for grandeur

Utilize wide-angle lenses to capture the vastness and detail of the interior space, including high ceilings and arches. This will require some precision work. Use your flip-out screen if your Canon has one to save your neck!

5 Longer focal lengths for details

Use telephoto lenses to isolate and capture intricate details like stained glass, carvings, and artwork. There is an abundance of these in cathedrals. Use lower apertures for smooth background isolation.

6 Consider a fisheye

For a unique perspective, a fisheye lens can emphasise the sheer scale and curvature of architectural interiors. They are superb for ceiling details and adding a playfulness to your portfolio.

7 Manual mode for control

Adjust shutter speed, aperture and ISO manually for optimal exposure, especially in challenging lighting. This can help control when the lighting changes, or will put light into the shadows.

8 Don’t be afraid of hand-held high ISO

If all this tripod precision is cramping your style, or you’re not allowed to use one, set your camera to ISO1600 and shoot wide-angle images at f/5.6. Brace yourself against seats, pillars or walls for sharp shots.

9 Capture reflections

Look for reflective surfaces like fonts or polished floors to add depth and a sense of tranquility to your images. Place the camera on the floor or on a low tripod.

10 Grey days are good!

My personal favourite for interiors is light, overcast skies. The windows will not burn out so easily, but the cathedral will seem light and airy. Use HDR methods if sunshine is your only option, bracketing three exposures.