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GEMINI MAN

It’s Will Smith vs (a younger) Will Smith in Ang Lee’s technically impressive, but otherwise dated, sciencefiction action-fest.

MALEFICENT: MISTRESS OF EVIL

Angelina Jolie returns as Sleeping Beauty’s nemesis in a sequel more forgettable than its predecessor.

MONOS

Child soldiers keep a hostage captive in this extraordinary Colombian debut that’s best summed up as ‘Lord Of The Flies meets Apocalypse Now’.

ROMA – THE CRITERION COLLECTION

Alfonso Cuarón won Best Director at last year’s Oscars for his black-andwhite stunner.

ZOMBIELAND: DOUBLE TAP

Reaching screens a full decade after the original rule-breaking zom-com, this belated sequel is fun, if hardly essential.

COME TO DADDY

Elijah Wood has the reunion from hell with his estranged father Stephen McHattie in this twisty, and outrageously gory, horror.

TERMINATOR: DARK FATE

Linda Hamilton makes her long-anticipated return as Sarah Connor in the best Terminator sequel since T2 (which isn’t saying much).

FIRST LOVE

Prolific Japanese master Takashi Miike directs this typically ultraviolent crime comedy about a boxer and an escort who get caught up in a drug ring.

THE PEANUT BUTTER FALCON

Shia LaBeouf is superb in this road movie about a man who breaks out of his care home to train as a wrestler.

MIDWAY

Roland ‘Independence Day’ Emmerich directs this bombastic, jingoistic recreation of the 1942 naval Battle Of Midway. Explosively boring.