Australian ProPhoto

Panasonic Lumix DC-GH5S

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Constructi­on: Magnesium alloy bodyshell, sealed against dust, moisture and sub-zero temperatur­es. Lens Mount: Micro Four Thirds bayonet. Sensor Type/Size: Live MOS, 13.0x17.3 mm. Total Pixels: 11.93 million (maximum image size = 3680x2760 pixels). Focal Length Conversion Factor: 1.97x. Storage Medium: Two slots for SD, SDHC and SDXC memory cards, both with UHS-II UHS Speed Class 3 support. Data Compressio­n: Two levels of JPEG compressio­n on three resolution settings plus 12-bit or 14-bit lossless on RAW data. RAW+JPEG capture. Choice of aspect ratios – 4:3, 3:2, 16:9 and 1:1. ISO Range: 160-51,200 (extendable to ISO 80, 102,400 and 204,800). ‘Dual Native ISO’ technology Buffer Memory: Up to 600 frames JPEG/large/fine or 80 RAW. Maximum Frame Rate: 12.0 per second. Video Recording: MOV format (with either ALL-I or Long GOP compressio­n, 10-bit 4:2:2 or 8-bit 4:2:0 colour) – Cinema 4K at 4096x2160 pixels; 50, 25 or 24 fps and 16:9 aspect ratio (maximum bit rate is 400 Mbps). 4K UHD at 3840x2160 pixels; 50, 25 or 24 fps and 16:9 aspect ratio (maximum bit rate is 150 Mbps). Full HD at 1920x1080 pixels; 50, 25 or 24 fps and 16:9 aspect ratio (maximum bit rate is 200 Mbps). MP4 format (with either ALL-I or Long GOP compressio­n, 10-bit 4:2:2 or 8-bit 4:2:0 colour) – Cinema 4K at 4096x2160 pixels; 50, 25 or 24 fps and 16:9 aspect ratio (maximum bit rate is 400 Mbps). 4K UHD at 3840x2160 pixels, 25 fps or 24 fps and 16:9 aspect ratio (maximum bit rate is 400 Mbps). Full HD at 1920x1080 pixels; 50, 25 or 24 fps and 16:9 aspect ratio (maximum bit rate is 200 Mbps). AVCHD Progressiv­e format (with Long GOP compressio­n) – Full HD at 1920x1080 pixels, 50 and 24 fps and 16:9 aspect ratio (maximum bit rate is 28 Mbps). AVCHD Progressiv­e format – Full HD at 1920x1080 pixels, 50 fps and 16:9 aspect ratio (maximum bit rate is 28 Mbps). Built-in stereo microphone­s with adjustable sound levels and wind noise filter. Stereo audio input (mic/ line switchable) and output. Higher quality LPCM sound recorded in the MOV and MP4 formats. Variable frame rates for FHD/HD recording (2 to 240 fps), ‘Anamorphic 4K’ 4:3 recording (3328x2496 pixels, 8-bit 4:4:0 or 10-bit 4:2:2 colour), master pedestal level (for setting black level), luminance level adjustment (8-bit and 10-bit), wave form monitor/vector scope, synchro scan, time coding (SMPTE compliant) with Rec Run and Free

Run modes), colour bars (SMPTE, EBU and ARIB standards), 1.0 KHz test tone, SS/Gain, zebra patterns, centre marker, LUT display, ‘Cinelike’ gamma profiles (D and V), Rec Like-709 gamma curve/ knee control, 4K Hybrid gamma profile, V-LogL, seamless file recording with no time limit, LUT display (Monitor/HDMI), time-lapse recording, 4K/2K video streaming via the HDMI connection (10-bit 4:2:2 or 8-bit 4:2:0 colour with simultaneo­us internal recording), ‘Focus Transition’ tool. Autofocusi­ng: 225 points with with auto/manual point selection, auto tracking and face/eye detection/recognitio­n.. All points, single point (variable size), pinpoint and ‘Custom Multi’ area modes. Manual focus assist via magnified image (up to 20x) and peaking display. Metering: 1728 points multi-pattern, centreweig­hted average, spot and TTL flash. Exposure Modes: Program (with shift), aperture/ shutter-priority auto and manual. Shutter: Electronic focal plane, vertical travel, 601/8000 second plus ‘B’, flash sync to 1/250 second. Alternativ­e sensor shutter has a speed range of 1-1/16,000 second. White Balance: Auto (neutral or maintain warmer tones), five presets, four custom presets, correction (blue-to-amber and/or magenta-to-green), auto bracketing and manual colour temperatur­e setting (four presets). Power Source: Rechargeab­le lithium-ion battery pack. Optional DMW-BGGH5 battery grip accepts a second battery pack. Features: Sensor cleaning, OLED EVF (3.68 megadots), 8.1 cm OLED monitor (1.62 megadots) adjustable for tilt and swing with touch controls, sensor cleaning, ‘ Touchpad’ AF zone selection, ‘4K Photo’ modes (Pre-Burst, Burst and Burst Start/Stop), ‘Light Composite’ mode, ‘Post Focus’ function, electronic level display, grid guides (choice of three), Adobe RGB and sRGB colour spaces, seven ‘Photo Style’ presets (Standard, Vivid, Natural, Scenery, Portrait, Monochrome and L. Monochrome), four user-defined ‘Photo Style’ presets, in-camera adjustment of ‘Photo Style’ parameters (contrast, sharpness, colour saturation, hue and noise reduction), 22 ‘Creative Control’ effects as shooting modes or filter settings (Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus, Fantasy, Star Filter, One Point Colour and Sunshine), auto bracketing functions (exposure, aperture, focus – up to 999 frames – and white balance), ‘Defocus Control’ function (with iAuto and Creative Control only), ‘Intelligen­t Dynamic’ processing (Off, Low, Standard, High, Auto), ‘Highlight/Shadow’ control (four presets, three custom settings), HDR multi-shot capture (Auto, +/-1.0 to 3.0 EV with auto align), intervalom­eter (up to 9999 frames), multiple exposure facility (with overlay and auto exposure adjustment), lens correction­s (Shading Compensati­on and Diffractio­n Com- pensation), long exposure noise reduction (On/ Off), luminance/RGB histogram displays, highlight alert, adjustable image display time, auto image rotation, slide show (with variable display times and background music), playback zoom (up to 16x), 12 or 30 thumbnail displays, thumbnail calendar display, in-camera editing (RAW-to-JPEG processing, ‘4K/6K Photo’ bulk saving, 4K/6K Photo’ noise reduction, Light Compositio­n, rating, title edit, face recognitio­n edit, text stamp, video divide, resize, cropping, rotate, favourite, protect, face recognitio­n edit), ‘Clear Retouch’ tool, picture sort modes, WiFi (2.4 and 5.0 GHz) with QR code connectivi­ty, Bluetooth (BLE) connectivi­ty, DPOF and PictBridge support. Price: $3499 body only.

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