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JURASSIC WORLD: FALLEN KINGDOM

Bidding adieu

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The Jurassic series has stuck pretty doggedly to the island of Isla Nublar for the past 25 years, so blowing it up (well, engulfing it in volcanic lava) in the first reel of the latest movie looked like a refreshing­ly bold move. Have no fear though, the dinos have all (well, mostly) been saved and relocated to a grand mansion in northern California where – oh no! – they’re to be auctioned off to the world’s wealthiest bastards.

Hiring Spanish director JA Bayona to make a Jurassic World film in the claustroph­obic style of his 2007 horror classic The Orphanage may have seemed an artistical­ly daring idea early on. Sadly, trapping these dinosaurs in a series of dimly-lit rooms only seems to robs the movie of its cinematic power. The cliffhange­r ending, however, does point the way towards a more thrilling reinventio­n of the decades-old dino franchise. Fingers crossed.

Extras Upside: this release is packed with extras. Downside: you’ve probably seen them before on YouTube. There’s little of substance here (most run for around two to five minutes), but having Chris Pratt in your cast is a dream for any movie marketeer, as he’s great at doing promo, whether being interviewe­d or fronting his own on-set featurette­s. The best of the bunch is “Fallen Kingdom: The Conversati­on” (10 minutes), which has members of the cast (including Jeff Goldblum!), plus Bayona and screenwrit­er Colin Trevorrow shooting the breeze. Once upon a time, this would have been done as part of a commentary... Steve O’Brien

Keep ’em peeled for a portrait of author Mary Shelley in Lockwood Manor, next to one of John Hammond.

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