SFX

A QUIET PLACE PART II

Worth making a noise about

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Make some noise for the sequel!

RELEASED OUT NOW! 15 | 97 minutes

Director John Krasinski

Cast Emily Blunt, Millicent Simmons,

Noah Jupe, Cillian Murphy, John Krasinski, Djimon Hounsou

It’s impossible to talk about A Quiet Place Part II without acknowledg­ing the fact that its release plans have essentiall­y been bookends for the pandemic. Receiving its New York premiere in March 2020, the movie finally hit US cinemas on 28 May 2021, just as the world began to open up again. It’s entirely fitting for a post-apocalypti­c movie peppered with the hope that perhaps life could be good again.

There’s also a good reason why Paramount held it back for a year rather than opting to push the movie out on streaming channels. It’s built for the cinema – and takes a louder, more actionpack­ed approach than the intimate chills of its predecesso­r.

After a powerful flashback to day one of the monster invasion – a shocking opener that throws you straight into the thick of the panic – we find ourselves on day 474, the day after A Quiet Place.

John Krasinki’s Lee is dead, but Emily Blunt’s Evelyn and her deaf daughter Regan (Millicent Simmons) have discovered that the creatures have a weakness to the signals produced by Regan’s hearing aid, which make them disorienta­ted and able to be killed. The isolated farmstead where they had been hiding out is destroyed, so Evelyn and Regan, along with anxious son Marcus (Noah Jupe) and the new baby (who’s kept in a box with an oxygen mask to minimise noise) must venture out into the world in the hope of finding other survivors.

Part II is a foot fetishist’s fantasy film (or perhaps worst nightmare, depending on the fetish…) with so much of the movie focused on the bare feet of the family as they take their first steps away from the parameters of their home and into untrodden ground, following signs of life some miles away.

Extreme close-ups of feet and faces keep us locked to them, while occasional, judiciousl­y used moments inside Regan’s head – where we see and hear the world as she does (that is, in silence) – keep things highly tense. Krasinki proves himself once again to be an inventive and distinctiv­e director, elevating

A Quiet Place Part II well above bog-standard monster madness.

It’s a noisier film than the first, with a more conspicuou­s non-diegetic soundtrack in addition to the snaps and crackles of the world around them. While it can’t quite match the sense of innovation and unbearable silent tension of the first film, the decision to journey in a different direction is a smart one. There’s only so much hiding, being quiet and accidental­ly making a noise the characters can do.

Instead, the family comes across Cillian Murphy’s Emmett,

A fast, frightenin­g spectacle that should blast off the cobwebs

a former family friend but now an isolationi­st, who initially refuses to help but is talked round by the spirited Regan. Emmett and the family are soon drawn into three separate missions, widening the world of the film further and allowing for new forms of peril.

Structural­ly, it works brilliantl­y, flipping between the different characters and giving us cliffhange­rs for each of them, keeping the audience constantly on edge. This also means it’s no single actor’s film. All of the main four have arcs and hero moments, with Jupe and Simmons given the chance to shine and mark themselves out as actors to watch. It’s an emotional film too, something brought out in shared quiet moments which arise amid the mayhem.

In terms of narrative logic it’s perhaps less strong; when the rollercoas­ter ride has finished you may find yourself picking apart certain plot points. But while it’s hurtling full steam ahead you’re unlikely to have time to even catch your breath.

Though it deals with a world ostensibly at rock bottom, this is at heart a very hopeful film, one that believes in humanity and the possibilit­y that we can come back from disaster to a world that could eventually be as good as the one we left behind.

This is coincident­al, of course, but as an early foray into the cinema after the real life horror of the past year, A Quiet Place Part II is a fast, frightenin­g spectacle that should blast off the cobwebs of months of isolation. There definitely are worse places you could be. Rosie Fletcher

Cillian Murphy liked the original so much he wrote an email to Krasinski to say so, but chickened out and didn’t send it.

 ??  ?? “Mom, couldn’t we just leave her behind?”
“Mom, couldn’t we just leave her behind?”
 ??  ?? He thought dealing with the Rage was bad enough.
He thought dealing with the Rage was bad enough.
 ??  ??

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