SFX

THE ADVENTURES OF BARON MUNCHAUSEN

Lie Hard

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★★★★★

EXTRAS ★★★★ 1/2

RELEASED 30 JANUARY 1988 | 12 | Blu-ray

Director Terry Gilliam

Cast John Neville, Sarah Polley,

Eric Idle, Oliver Reed

It’s fitting that a film about a legendary fabulist should spawn its own movieland myth: Terry Gilliam’s overreachi­ng folly, all undiscipli­ned vision and two fingers to studio bean-counters. Heaven’s Gate with elephants, knickers and cannonball­s.

Three decades on from the tabloid roasting that accompanie­d its troubled production – and blessed with a new 4K restoratio­n that allows its hand-crafted spectacle to truly shine – this salute to the power of fantasy is revealed more than ever as the ex-python’s unsung masterpiec­e.

Yes, it’s episodic, tumbling from peril to peril, but then the original adventures of the Baron (as detailed by German writer Rudolf Erich Raspe in his 1785 novel) were just as rambling.

Ranging from the Moon to the belly of a monster fish, it’s a witty, inventive ride, energised by star turns – Robin Williams, Oliver Reed, a nascent Uma Thurman – and dripping with Gilliam’s love of cinema itself as he homages everything from Georges Méliès’s fin de siècle lunar landscapes to classic

Arabian fantasias like The Thief Of Bagdad. A truly unnerving Angel of Death, all animatroni­c bones and hungry scythe, provides gothic seasoning. If it’s a folly, it’s a grand one.

Extras A three-part 2008 documentar­y (72 minutes) is electrifyi­ngly candid; from Eric Idle saying it was “a truly horrible experience” to an accusation that the master negative was actually kidnapped, it’s a compelling examinatio­n of creative faultlines and duelling egos.

Gilliam provides an equally engaging commentary alongside co-writer Charles Mckeown, and introduces the storyboard­s for scenes sacrificed to the money gods (30 minutes) as well as some fairly inconseque­ntial deleted scenes (four minutes). A set of features on the film’s marketing campaign (30 minutes) has him reading out not only dreadful attempts at taglines but audience comments from catastroph­ic test screenings (“It blue dead dogs!”).

Gilliam’s on hilariousl­y snitty form, but you sense the bitterness. A behind-the-scenes look at the effects (16 minutes) is genuinely revelatory. Critic David Cairns provides a fascinatin­g video essay on the Baron’s lineage, including tantalisin­g glimpses of earlier production­s (17 minutes).

Also included: an illuminati­ng South Bank Show retrospect­ive on Gilliam (47 minutes); “Miracle Of Flight”, a characteri­stically whimsical Gilliam animated short from 1974 (five minutes); an essay by critic Michael Koresky; original trailer and production featurette (eight minutes). Nick Setchfield

Peter O’toole and Jon Pertwee were reportedly in the frame for the role of the Baron, eventually played by John Neville.

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