SFX

INSIDE THE MIND OF COFFIN JOE

Top hat and overgrown nails

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RELEASED OUT NOW! 1964-2008 | 18 | Blu-ray Director José Mojica Marins Cast Various lumpy Brazilians

Brazilian director José Mojica Marins is a saint of psychotron­ic cinema, but his output is more known of than it is seen. This eye-opening set of immaculate 4K transfers should help to change that.

His most famous creation was Zé do Caixão, aka Coffin Joe: an undertaker who features in five of these 10 films. An iconic figure, with his stovepipe hat, cloak and talon-like fingernail­s, he considers himself a Nietszchea­n superman, and spurns morality, happy to drown his best friend in the bath (At Midnight I’ll Take Your Soul), or pour acid on a woman’s face (This Night I’ll Possess Your Corpse). He’s a monster – but one whose anti-authoritar­ianism and total liberation hold some appeal.

Marins’s films share many common attributes. Expect orgiastic abandon and bellicose rants, with our anti-hero mocking faith and denying God. Women fare badly: beaten, tortured and molested. Sets can be crude, tombs made from flats with painted stone patterns. Non-diegetic sound effects blare out: screams, wind, tolling bells; the soundtrack­s can be so cacophonou­s that closing your eyes is no escape. Other hallmarks include luridly coloured lighting, tarantulas, whips, suicide and voyeurism – all the good stuff.

Above all, Marins loves to poke his fingers into taboos; even when he’s not graphic, he’s conceptual­ly transgress­ive. Across its three tales, anthology The Strange World Of Coffin Joe indulges in rape, necrophili­a and cannibalis­m. The Awakening Of The Beast – a string of set-pieces of deviance – peaks with a hippy gangbang going south as a guy dressed like Jesus does unspeakabl­e things with a staff.

The four films mentioned above are unmissable, the rest are less essential. More of a black comedy, The End Of Man casts Marins as a mystery man whose gnomic statements see him treated as a prophet. Sequel When The Gods Fall Asleep comes as close as Marins gets to a realist portrait of Brazil, with its gritty footage of locations like a São Paulo favela.

Hellish Flesh concerns the aftermath of a woman throwing acid on her husband’s face, while The Strange Hostel Of Naked Pleasures visits a limbo-like inn; both feel like hugely overextend­ed anthology show episodes.

Hallucinat­ions Of A Deranged Mind is essentiall­y a Greatest Hits package repurposin­g old clips, while 2008’s Embodiment Of Evil is to At Midnight what Mother Of Tears is to Suspiria – one for completist­s only.

After watching all 10, you may emerge pale-faced and shaken. A character in Strange World sums it up: “Only a really sick mind could conceive such monstrosit­y!”

Extras Alongside a couple of general appreciati­ons (24 minutes), there are six short video essays and talking heads (138 minutes) which discuss Marins in relation to various figures or phenomena: de Sade, TV horror hosts, Brazil’s Marginal Cinema movement, etc. Some, like a piece which compares Marins to surrealist­s like Luis Buñuel, are cogently argued; others, like a “neurodiver­gent perspectiv­e”, stray off the point or fail to make much of a case.

A piece on the “surprising­ly complex” sexual politics of his films becomes simply a stream of synopsis, while a discussion of Nietszche prompts a chuckle by using the phrase “elitist bourgeois film culture”. Oh, the irony. Thank god for Stephen Thrower; at 87 minutes, his talking head is overlong, but he steadfastl­y resists pathologis­ing Marins, or suggesting that the connection­s he sees are anything but guesswork.

After all this highfaluti­n’ analysis, it’s a relief to hear from the man himself. In 2001 doc Damned: The Strange World Of José Mojica Marins (65 minutes), he comes across as articulate and likeable… until talk turns to shooting a porno where a woman had sex with a German Shepherd. Try writing a video essay on the complex gender politics of that.

The late director also features in six commentari­es. Plus: a 1948 short and excerpts from two other early films; footage of a trip to Sundance; a comedy short about Coffin Joe going on a date… we could go on and on. The set also comes with a 92-page book, a poster and 12 art cards. Ian Berriman

 ?? ?? “Go on, pull my finger. It’s a right laugh.”
“Go on, pull my finger. It’s a right laugh.”

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