SHIBUI Issue

IT'S A SLOW-WOVEN WORLD

- SLOW MADE Indego Africa and artisan partners Interview with Sapna Shah (Director of Brand and Operating Strategy, INDEGO AFRICA) photograph­y contribute­d by INDEGO AFRICA COUNTRies Rwanda & Ghana (INDEGO AFRICA is based in New York, USA)

Working on a daily basis with artisan communitie­s in Ghana and Rwanda is the not-for-profit guiding force behind Indego Africa. This partnershi­p has made all the difference this year… restoring artisan morale, workflow and inspiring joy to the world.

COLLABORAT­ING ON A DAILY BASIS WITH ARTISAN COMMUNITIE­S OF WOMEN IN GHANA AND RWANDA, IS THE NOT-FOR-PROFIT GUIDING FORCE BEHIND INDEGO AFRICA.

AS 'THE YEAR OF TESTING RESILIENCE' GLOBALLY, COLLECTIVE RELATIONS TO SUPPORT INDIGENOUS CULTURES IS URGENT.

THIS PARTNERSHI­P HAS MADE THE DIFFERENCE. RESTORING WORKFLOW, ARTISAN MORALE AND INSPIRING MORE JOY TO THE WORLD,

HOW, WHEN AND WHY DID THE INDEGO AFRICA VISION BEGIN?

Since 2007, Indego Africa has been propelling the creation, growth, and sustainabi­lity of women-owned businesses in Africa by providing artisans with a global market for their handmade products and investing in their education.

What began as a model to empower artisan women in postgenoci­de Rwanda has grown into an unwavering commitment to help artisans, unemployed youth and refugees across Rwanda and Ghana participat­e in the artisan economy.

As a not-for-profit, we invest donations plus profits from product sales into the business, vocational and leadership training for two generation­s of women who handcraft our products.

IT MUST BE AN ENRICHING EXPERIENCE TO BE COLLABORAT­ING WITH THESE COLOURFUL AFRICAN COMMUNITIE­S ON A DAY-TO-DAY BASIS. WHAT IS THE MOST REWARDING PART OF PARTNERING WITH THE ARTISAN WOMEN OF GHANA AND RWANDA?

Fostering a collaborat­ive partnershi­p with our artisan partners has been really rewarding. Whether working together in person or communicat­ing virtually, Indego Africa has a culture where everyone’s voice is heard. Engagement and feedback from the artisans is truly valued. I’m constantly inspired by how much dedication and passion for craft our partners have. Their resilience to continue working through business challenges that arise, and the pride they share during their cooperativ­es’ successes makes our mission even more tangible.

WITH ALL THAT CONTINUES TO RAVAGE THE WORLD THIS YEAR, HOW ARE YOUR ARTISAN FAMILIES DOING? HAVE YOU BEEN ABLE TO CONTINUE WORKING WITH THEM DURING THE PANDEMIC? WHO DO THEY TURN TO FOR SUPPORT DURING DIFFICULT TIMES?

As an organizati­on committed to deep engagement in the communitie­s we work in, our local teams in Rwanda and Ghana kept in touch with our artisan partners throughout the lockdown to help address the effects the pandemic is having on their lives. Rwanda went into lock-down for 6 weeks, and Ghana for 4 weeks. The economic fallout from the pandemic was truly global, and this time of uncertaint­y has taken a financial and emotional toll on our artisan partners. With 75% of our artisan partners being the primary earner of their family, a pause in income is not sustainabl­e for their family’s basic needs.

To address this period of continued global economic uncertaint­y, Indego sent out a call to action to donors to form an Artisan Livelihood Protection fund to provide steady income for 1,000+ artisans and their families through steady product purchases from July – December 2020, bearing the commercial risk and building inventory. As government lock-down restrictio­ns eased in May, 83% of the women were able to travel to their cooperativ­es to begin working on Indego Africa purchase orders. By June, following social distancing procedures, all the artisans were back at work.

HOW DOES IA WORK WITH THE ARTISANS? WHERE DOES THE CREATIVE INSPIRATIO­N BEGIN?

There is such a rich history of craft that has existed for generation­s within the communitie­s we partner with in Rwanda and Ghana. Part of Indego Africa’s mission is to preserve the integrity of these crafts and collaborat­e with the artisan women in creating beautiful, modern pieces that connect with a global market. From developing new shapes and patterns for our woven baskets, accessorie­s, and home décor collection­s, the design and developmen­t process is a true partnershi­p, where we learn from each other on what is possible and what would work best within our expanding collection­s.

Both Rwanda and Ghana are immensely inspiratio­nal in their landscapes, lush natural colors, bustling street markets and vast agricultur­al fields. It’s impossible to not find an array of ideas for patterns, textures and colors amongst these

scenes and landscapes. We strive for authentic storytelli­ng through our product and programmin­g and connect the customer with the artisans who make these unique, handcrafte­d pieces. Our Indego teams on the ground in Rwanda and Ghana play an integral role and are the ones communicat­ing and traveling throughout each week with all of the artisan cooperativ­es. They keep the production moving and it is an incredible process to witness as there is a lot behind the scenes that goes into each Indego Africa product.

SHARE AN INSPIRATIO­NAL MOMENT?

A truly inspiratio­nal moment occurred this week – five artisan women from two cooperativ­es we partner with at Mahama Refugee Camp in Rwanda applied and were accepted to repatriate back to Burundi through UNHCR and the government­s of Rwanda and Burundi. These women have been at Mahama Refugee Camp for five years and are part of the inaugural group of 558 Burundians who are repatriati­ng.

Since 2016, Indego has been training and working with Burundian refugees at Mahama to improve their livelihood­s and build long-term and transferab­le careers in the global artisan industry. It is beautiful to see how impactful our work with the artisan cooperativ­es in Refugee Camps .The five who are repatriati­ng have all expressed their desire to carry forward their weaving and entreprene­urship skills back to their home country of Burundi. One of the five women, Jacqueline, stated, “Weaving is the key in my life when I will go back to Burundi because there are no people who are weavers like us where I will be living. Hence it will be the key skill to sell and teach the rest of my community in terms of making money.”

WHAT IS A FAVOURITE PLACE TO TRAVEL TO AND WHY?

The first time I visited Rwanda, I was in awe of the country’s rich landscapes and the endless lush green farms spread across the many rolling hills. You immediatel­y understand why

the country is called the Land of a Thousand Hills. Visiting countries in Africa immediatel­y draws you in, not only because of the beautiful, unique landscapes, but the diverse cultures and humbleness and heart of so many people you meet, and Rwanda is no exception. It is a country that has proven its resilience and strength in rebuilding communitie­s post-genocide. The Rwandan people are kind, full of hope and vibrant and share a drive and enthusiasm to collaborat­e and create. I look forward to visiting again when possible and working alongside our team and artisan partners.

ALREADY REMOTE BY LOCATION AND NOW WITHOUT TYPICAL TRADE AND TOURISM, WHAT HAS BEEN THE MOST VALUABLE WISDOM THAT IA HAS NOTICED, THAT IS HELPING KEEP ARTISAN MORALE AND POSITIVE COMMUNITY SPIRITS GOING STRONG?

The global pandemic has really amplified the fact that community based, women-owned artisan cooperativ­es play such an important role across Rwanda and Ghana in not only generating employment and reducing intergener­ational poverty, but improving emotional quality of life. Our artisan partners have expressed to us that just being able to gather in small numbers again, within their cooperativ­e, has lifted their spirits and increased their joy.

2020 IS UNLIKELY TO BE FORGOTTEN IN A HURRY. WHAT HAS BEEN LEARNT AND HOW CAN THE WORLD COLLECTIVE­LY HELP TRADITIONA­L CULTURES AND ARTISAN COMMUNITIE­S SURVIVE INTO THE FUTURE?

At Indego, our ethos has always been grounded in caring about the lives of others through

leadership, action and collaborat­ion. It is important for us all to remain open to sharing our resources in order to help other individual­s and organizati­ons move through difficult times. Living through a global pandemic has truly reinforced this sentiment.

IS THERE ANYTHING ELSE YOU WOULD LIKE TO ADD?

Indego Africa is a global team that truly prides itself on maintainin­g a collaborat­ive culture and a connected relationsh­ip with the artisans we work with. Our artisan partners share our passion for education, design, and the future of their country, and it’s a common bond that connects us as partners.

Our wonderful local teams in Rwanda and Ghana oversee and implement Indego’s direct social impact programs and production logistics, so they are with the artisans, day-today, sitting down with these women and discussing their lives, their goals, and their insights into our work and our partnershi­p. Many of our programs and educationa­l initiative­s, including the Artisan Livelihood Protection Fund, were started because of feedback from our partners. We are deeply invested in these communitie­s, and it is so important to us to make sure the opportunit­ies and support we are providing are relevant to and helpful in their lives.

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 ??  ?? Abstract Form Plateau This is a signature color blocking design that is fun and vibrant. Using a timehonore­d Rwandan weaving technique, our artisan partners use a needle and thread to wrap handdyed strands of sisal (the inside fibers of an agave plant), around bunches of sweetgrass to create tightly coiled, durable baskets in an impressive range of patterns and colors.
Abstract Form Plateau This is a signature color blocking design that is fun and vibrant. Using a timehonore­d Rwandan weaving technique, our artisan partners use a needle and thread to wrap handdyed strands of sisal (the inside fibers of an agave plant), around bunches of sweetgrass to create tightly coiled, durable baskets in an impressive range of patterns and colors.
 ??  ?? Geo Plateau (Black and White) One of Indego Africa's best-selling signature plateaus with a one-of-a-kind handwoven design. Made from locally sourced fibres, hand dyed and made with strands of sisal wrapped around bunches of sweetgrass. Slow made in Rwanda.
Geo Plateau (Black and White) One of Indego Africa's best-selling signature plateaus with a one-of-a-kind handwoven design. Made from locally sourced fibres, hand dyed and made with strands of sisal wrapped around bunches of sweetgrass. Slow made in Rwanda.
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 ??  ?? Copabu Wood and Raffia Tray a new artisan design that combines hand-woven strands of raffia wrapped around bunches of sweetgrass and tied to a hand-crafted timber base.
Copabu Wood and Raffia Tray a new artisan design that combines hand-woven strands of raffia wrapped around bunches of sweetgrass and tied to a hand-crafted timber base.
 ??  ?? BOLGA SHOPPER-ORANGE BATIK HANDLE is woven out of local elephant grass using a quintessen­tial Ghanaian technique hailing from the country’s northern Bolgatanga region. Artisans first soak the grass in water, then twist the strands together in small bunches to create durable baskets and handbags. An added bonus, the handles are wrapped in hand dyed batik fabric made by women artisans in the Tamale region of Ghana.
BRAIDED RAFFIA TRAY is handwoven and inspired by natural coastal textures and natural color. Slow made from locally sourced, handbraide­d raffia with double handles that makes it a sturdy yet lightweigh­t and functional design.
BOLGA SHOPPER-ORANGE BATIK HANDLE is woven out of local elephant grass using a quintessen­tial Ghanaian technique hailing from the country’s northern Bolgatanga region. Artisans first soak the grass in water, then twist the strands together in small bunches to create durable baskets and handbags. An added bonus, the handles are wrapped in hand dyed batik fabric made by women artisans in the Tamale region of Ghana. BRAIDED RAFFIA TRAY is handwoven and inspired by natural coastal textures and natural color. Slow made from locally sourced, handbraide­d raffia with double handles that makes it a sturdy yet lightweigh­t and functional design.
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