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La Realidad De Los Sueños

A completist’s dream of long-lost recordings.

- Emma Johnston

When Omar Rodriguez-Lopéz and Cedric Bixler-Zavala diverged from the much-loved post-hardcore band At The Drive-In, they went on a two-man mission to out-prog the proggiest proggers in progland with The Mars Volta, an outfit designed to give life to their unique inner visions through often baffling tricks of the guitar and stretched-tothe-limit human voice. It’s not for nothing that this box’s title translates as ‘the reality of dreams’.

Starting with debut EP ‘Tremulant’ and all six of their albums, this weighty 18-LP box set has been remastered specifical­ly for vinyl, is limited to 5000 copies and is not available on any other format. It also includes a photo-book and a badge — for the love of God don’t forget about the badge! But the main reason for its existence is ‘Landscape Tantrums’, the borderline-mythical unfinished original recordings of the songs that would become ‘De-Loused In The Comatorium’ after producer Rick Rubin got his hands on them.

It’s no disappoint­ment. While Rodriguez-Lopéz’s flawless musical dexterity landed fully formed, impenetrab­le and entirely unpredicta­ble, the rawness draws a bridge between their punk past and evermore progressiv­e future, the intense groove of Drunkship Of Lanterns contrasted highly against Bixler-Zavala’s sometimes animalisti­c shriek. Recorded during a period of heavy drug use, it makes for an almost uncomforta­ble experience as we’re dragged into the bleak concept at the heart of it all: the view from inside the main character’s coma, an overdose of morphine and rat poison. Rodriguez-Lopéz has said: “As a work of art in its own right,

this set also needs to be seen as the end of a story.” But it’s better to see it as an excuse to go back to the very start, and relive the unfolding wizardry that followed at dizzying speed over the rest of the albums here. What reveals itself is music as science, science as emotion, emotion as inspiratio­n, put together by crazed geniuses with virtuoso skills. ‘Lost’ songs

A Plague Upon Your Hissing Children and Eunuch Provocateu­r are respective­ly a spittle-flecked freak-out and a glorious explosion of guitar wonk, adding the final pieces to one of the most complex, often frustratin­g but ultimately rewarding puzzles in modern progressiv­e rock.

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