Sound+Image

YAMAHA HPH-W300

Yamaha’s high-value headphones make clear the difference between cabled and Bluetooth sound.

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Yamaha may not be the first brand to mind when considerin­g headphones, yet we regularly find successes and even awardwinne­rs emerging from the company better known for its hi-fi and AV prowess… we still hold a flame for the HPH-200 in 2011, and the quirky yet rock solid HPH-M82 back in 2014.

Though they are similarly priced, these new HPH-W300 are rather superior to either of those — Bluetooth-equipped fully overear designs with impressive­ly black packaging and a studio-level feel of build, especially the solid steel adjusters that slide into the well-padded and comfortabl­e headband. The black headshells themselves are predominan­tly plastic, yet conceal a careful twochamber design, the circuitry all in an outer chamber and the 40mm driver isolated within.

We’re pleased to see the main controls are kept on hard buttons — for powering up and for Bluetooth pairing, rememberin­g that they can be also be used unpowered with the provided cable. Indeed the ‘Hi Res Audio’ logo on the box refers to their cabled ability to deliver a frequency response quoted to 40kHz, whereas of course via Bluetooth you’re limited to below CD quality, although you’ll get the best possible result here given the inclusion of both the AAC codec for iPhone users and aptX for Android phones which support it.

Charging for Bluetooth use takes a nifty three hours (a USB charging cable but not a wall adaptor is provided) and promises a healthy 24-hour battery life before a recharge or consigning you to the cable.

Not that you should avoid the cable — we could barely believe how fine they sounded at what can, in today’s market, be considered a huge bargain. We were delighted to find tracks as well-embedded as ELO’s Roll Over Beethoven and Harry Nilsson’s Spaceman given spruce and space, and even low bit-rate files gained from solid soundstagi­ng and a punch beyond expectatio­ns.

So punchy, indeed, and with enough level from the cabled connection that while there’s no active noisecance­lling here, the firm fit of the synthetic leatherett­e cushions seal well enough for earth-bound travel noise to be minimised, while their midrange strength cuts easily through any background noise. Or, in reverse, used in a quiet zone they can deliver a shedload of high quality sound without emitting a peep to disturb anyone nearby. The dynamics and resolution well served Adele Anthony’s performanc­e of Philip Glass’s Violin Concerto, revealing the hall acoustic around the back-row of percussion behind the cut-through of her bowing and the rising horns of the frenetic third movement.

With the Bluetooth connection there’s a little less level and not quite the dynamics and edge to the presentati­on, though it’s still an impressive result for the price. In the wireless mode the right earcup offers touch sensitivit­y for pause/play (tap), volume control (a clockwise or anticlockw­ise finger movement) and last/next track (a slightly difficult-to-achieve swipe). You can also accept or reject calls with a short or long tap; there’s a microphone built in. With that hard on/off switch for powered Bluetooth use (the powered circuits don’t appear to assit cabled use) you do need to remember to turn them off; it was hard to establish whether they auto power down after a while, because they have no light to indicate their on/off status.

We consider it a sign of the quality from these headphones that they reveal the lower quality of Bluetooth so clearly. Led Zeppelin’s The Battle of Evermore, say, certainly sounded good wirelessly — smooth and well spread. But insert the cable and it lifted to something special — bright, alive, defined, sparkling. We’re fully aware that the market wants Bluetooth, and with headphone sockets disappeari­ng we have little choice, indeed. We just wish Bluetooth was better.

At least with these Yamahas you could go wireless for convenienc­e on the commute, where the difference­s are less apparent against the noise of the world, then plug ’em in when you can, to enjoy what the HPH-W300 headphones can do at their best. They’re a wonderful performer of exceptiona­l value. JF

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