Sunday Territorian

NEWS FEATURE FRONTIER

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1. Helen Wilkinson of Helen Rose Millinery Five years after starting her millinery label, Helen attended a millinery workshop in the South of France and has continued her studies ever since, attending courses and workshops across Australia for the past 11 years. She travelled to Japan to study the art of Japanese somebana flowers, putting her own twist on the craft to create unique fantasy, high-glossed, glass-look flowers, and she completed another course this week just before the horses bolted out of the gates for the Darwin carnival. Helen’s intricate signature style is using flowers for hat trims and headbands. She experiment­s with different fabrics and dying techniques to create a unique look for her clientele, season after season. Her millinery competitio­n pieces stop racegoers inn their tracks and her hats have a trademark architectu­ral elegance to them. “Continuall­y learning new art forms and techniques allows me to keep my millinery ideas fresh and innovative for clients,” said Helen. “It encourages me to think outside the box and when I’m designing for a client’s race day look k 2. Belinda Osborne of Peacock Millinery Award-winning milliner Belinda placed third in the coveted inviteonly national millinery competitio­n held on Oaks Day at Flemington in 2015, and her designs have graced the heads of Fashions on the Field and millinery competitio­n winners across Australia. Belinda was booked out for custom orders months in advance of this year’s Darwin carnival. She spends an average 10 to 12 hours on every piece she creates, but some take much longer. She estimates 90 per cent of her pieces are custom made, the best option she says, for the lady who likes to stand out from the crowd. “I’m very lucky to have produced so many pieces that have been seen in Fashions on the Field over the years,” she said. “But the credit really goes to my clients, who put so much time and thought into their outfits and whole look.” 3. Ginai Cassimatis­ii off Ginai Mariei Millinery In Brisbane during her university years Gina started going to the races, which fuelled her love of millinery and racing fashion. Her millinery hobby started by making pieces for friends and family, and when she moved to Darwin seven years ago, she dedicated more time to working on her craft. Showcasing some of her new range this week, Gina said she loves making headpieces for women and helping style their outfit so they look their best, which makes them feel special and beautiful. “If you feel fabulous you’re certainly on your way to having a wonderful day at the track,” she said. For this year’s colourful theme, Gina is looking forward to seeing the way colour use will be interprete­d by individual­s stepping out of their colour comfort zone, be it through embracing unusual clashes, feminine pastels, rich jewel el tones or elegant neutrals. “I have loved creating leather flower headpieces in headbands for this year’s carnival, they are a modern twist on the traditiona­l headpiece,” she said. This year Gina’s range also includes, turbans, crowns and halo-style headpieces in summery straws trimmed with feathers, and luxe designer-inspired embellishm­ents, s, which are popular for the races at the moment. 4. Ally Pettifor of Alea Headwear Ally’s headwear designs were her creative outlet when she took time off work to have her first child. “Last year I was seeing a lot of lace crowns at race days, so I decided they were something I wanted to try and create myself,” she said. “I then found a love for leather, as the raw material could be manipulate­d in more ways than lace material.” Alea Headwear pieces have been worn across Australia, and in the USA, UK and New Zealand. She has experiment­ed with techniques and honed her skills to a style she describes as minimalist­ic, structural and uniquely modern. To best showcase an Alea headpiece, Ally recommends a slicked-back hair do and a headband style to suit the wearer’s face shape and hairline. Ally is almost completely booked out with orders.. 5.5 LeonieLi KariotisKt­ii off Fascinator­sF i t by LeonieK Leonie’s skills in arts and crafts led to a love of millinery after she attendeda race day events many yearsy ago. “I decided to give millinery a go and taught myself,” she said. “I have a passion, almost an n obsession, for creating beautiful fascinator­s and headpieces.” For thiss year’sy carnival of colour theming, Leonie has tipped magenta and red as being a popular combinatio­n, but says the “anything goes” attitude of Darwin is great. She loves thinking outside the box when customisin­g a piece for a client’s outfit, coming up with new ideas and different designs. When choosing your headpiece, Leonie recommends racegoers consider comfort. Choosing those that have headbands and slide combs are a winner — if your piece of choice doesn’t have something to secure it to your head (so it lasts the day), ask your milliner to attach one for you. Leonie’s pieces are priced from $80 6. Jessie Pink of Darwin Flower Crowns The Darwin Cup was the inspiratio­n for Jessie’s flower crown business. She’d previously worn her own headpiece designs to the races, but a couple of years ago started making flower crowns with fresh flowers from the garden. She casually posted some photos of her botanical creations to Facebook, and soon had requests from friends to make crowns for them too. Darwin Flower Crowns was born. Fresh flower crowns start from $80, and silk from $100. This year Jessie is taking inspiratio­n from Mexican artist Frida Kahlo and planning her own race-day crown to be crafted from a mix of magenta sweet williams, bright blue sea holly, hot pink carnations and red roses, complement­ed by an up-do of braids. Jessie recommends her clients be creative, embracing different headband styles. “I’m loving crowns that sit up on a headband with a fun spiky tropical theme, taking advantage of local favourites like heliconias and orchids,” she said. “It’s a great theme you can really make your own.” 7. Maria Koko of Maria Koko Headwear By her own admission, Maria is “revving up” the use of colour in her millinery for this year’s carnival. Known for her multicolou­red creations, she includes trims such as flowers and feathers to adorn her rainbow-coloured hats. Appropriat­ely Territoria­n flavoured, and Maria’s favourite material to work with, is crocodile skin, which she began using five years ago. Crocodile leather is gaining more attention each year, and Maria is crafting it into headbands, as the showpiece on a hat and in trimming to complement the rest of the design. She thinks the carnival of colour is a great way for ladies and gents to show their style. “I can’t wait to see how fabulous everyone will look,” Maria said.

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