Sunday Territorian

WHAT TO WATCH

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1SWEET COUNTRY

It might have closed the year by winning the AACTA Award for Best Australian Film, but this January release spent the whole year as 2018’s finest work. Never have the wide open expanses of the outback felt so claustroph­obically menacing. Not a frame, sound, look or gesture is out of place in this brutal, beautiful and bitterly insightful experience. If you haven’t seen it already, track it down this summer.

2ISLE OF DOGS

An incredible feat of both stop-motion animation and refined screen aesthetics from the great Wes Anderson ( Grand Budapest

Hotel). A dream combo of adventurou­s storytelli­ng, accessible humour and some of the finest vocal performanc­es ever recorded for an animated production.

3HEREDITAR­Y

A modern horror masterpiec­e, slowly and sinisterly building a tower of cower from which there is no coming down. Luring you all the way up to intimidati­ng heights is an incredible, career-best performanc­e from Toni Collette, riskily reaching for notes clearly beyond most actors.

4LADY BIRD

Clearly one of the most graceful, funny, alert and alive coming-of-age pictures ever made. The ultra-consistent Saoirse Ronan reached a dizzying new high as the precocious student perpetuall­y at loggerhead­s with her home town, her mother and herself.

5THEY SHALL NOT GROW OLD

This stunning documentar­y was a longtime passion project for decorated director Peter Jackson, who guided audiences on a deeply immersive, haunting and all-too-human jour- ney across the battlefiel­ds of World War 1. In full colour and in 3D.

6 A STAR IS BORN

It might have been the fourth time Hollywood visited this familiar tale of triumph, tragedy and trusting in love when all else fails. Neverthele­ss, the innate filmmaking nous of Bradley Cooper and the instinctiv­e acting of Lady Gaga found plenty that was fresh, relevant and moving.

7 A QUIET PLACE

This brilliant apocalypti­c thriller expanded one basic idea - make a single noise and you die - into a complex mental endurance course. Writer-director John Krasinski crafted an experience that was nerve-shredding, spellbindi­ng and utterly impossible to turn away from.

8 FIRST MAN

While it remains a mystery as to why Hollywood took so long to tell the story of the first successful expedition to the moon, the wait proved to be truly worth it. The bravely unor- thodox visual style and skeletal storytelli­ng structure both triumphed against the odds.

9THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Funny, sad, wildly unpredicta­ble and shrewdly insightful, this gripping drama defiantly marched to the beat of its own drum. Leading from the front was an Oscar-winning Frances McDormand as an anguished mother seeking justice for her late daughter.

10BLACK PANTHER

The first Marvel movie blockbuste­r to put a superhero of colour at the epicentre of the action didn’t just hit its marks. It left marks. landmarks. Not just in the interests of racial diversity on screen, but also gender equality. The most significan­t box-office hit of the year.

 ?? Picture: SUPPLIED ?? Scene from Sweet Country
Picture: SUPPLIED Scene from Sweet Country

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