The Australian - Wish Magazine

Galleries and museums lead the way with a range of cultural treats

- Deirdre Blayney

The 22nd Biennale of Sydney (2020), titled NIRIN (a Wiradjuri word meaning “edge”), is an artist- and First Nations-led exhibition of contempora­ry art inspired by seven themes: Dhaagun (‘earth’: sovereignt­y and working together); BagarayBan­g (‘healing’); Yirawy-Dhuray (‘yam-connection’: food); Gurray (‘transforma­tion’); Muriguwal Giiland (‘different stories’); NgawalGuyu­ngan (‘powerful ideas’: the power of objects); and Bila (‘river’: environmen­t). Artists from Nepal, Georgia, Afghanista­n, Sudan and Ecuador will participat­e. The Biennale which will be shown across six sites, including the MCA until September 6.

 ??  ?? XU ZHEN®: ETERNITY VS EVOLUTION is the first major solo exhibition in Australia of the work of Xu Chen, one of China’s most significan­t artists and activists, in Australia. His recent work centres on sculptural installati­ons, video and performanc­es that challenge cultural assumption­s, question social taboos and comment on the idea of art as a commodity. The show includes the performanc­e work In Just a Blink of an Eye 2005/2020, which features four performers ‘frozen’ in the act of falling over, as well as European
Thousand-Armed Classical Sculpture 2014 and other monumental sculptures. National Gallery of Australia, until September 13. The Art Gallery of WA Modern’s collection includes works from 1920 to 1969 that reflect key developmen­ts in the history of Australian and internatio­nal art during a time of great social, political and artistic change. The move away from representa­tive forms and towards abstract and conceptual art mirrored the turmoil of the times. The collection includes works by such Australian artists as Charles Blackman, Grace Cossington Smith, Sidney Nolan, Albert Tucker, Arthur Boyd and Judy Cassab, alongside key internatio­nal artists such as Walter Sickert. The photograph­ic exhibition The Burning World uses urban and natural landscapes to look at human settlement­s and their consequenc­es through the work of Hoda Afshar, Peta Clancy, Rosemary Laing and Michael Cook. Bendigo Art Gallery, August 8 to November 8.
XU ZHEN®: ETERNITY VS EVOLUTION is the first major solo exhibition in Australia of the work of Xu Chen, one of China’s most significan­t artists and activists, in Australia. His recent work centres on sculptural installati­ons, video and performanc­es that challenge cultural assumption­s, question social taboos and comment on the idea of art as a commodity. The show includes the performanc­e work In Just a Blink of an Eye 2005/2020, which features four performers ‘frozen’ in the act of falling over, as well as European Thousand-Armed Classical Sculpture 2014 and other monumental sculptures. National Gallery of Australia, until September 13. The Art Gallery of WA Modern’s collection includes works from 1920 to 1969 that reflect key developmen­ts in the history of Australian and internatio­nal art during a time of great social, political and artistic change. The move away from representa­tive forms and towards abstract and conceptual art mirrored the turmoil of the times. The collection includes works by such Australian artists as Charles Blackman, Grace Cossington Smith, Sidney Nolan, Albert Tucker, Arthur Boyd and Judy Cassab, alongside key internatio­nal artists such as Walter Sickert. The photograph­ic exhibition The Burning World uses urban and natural landscapes to look at human settlement­s and their consequenc­es through the work of Hoda Afshar, Peta Clancy, Rosemary Laing and Michael Cook. Bendigo Art Gallery, August 8 to November 8.
 ??  ?? To mark the 250th anniversar­y of James Cook’s 1770 passage along the east coast of Australia. the National Museum of Australia’s exhibition
Endeavour Voyage: The Untold Stories of Cook and the First Australian­s looks at this seafaring feat through the eyes of those onboard the Endeavour as well as those who observed it from the shore. Visitors can imagine the moment when the land’s occupants encountere­d Cook and his crew in an exhibition that honours both a great voyage of scientific and geographic exploratio­n as well as the rich culture of those who encountere­d the new arrivals. Curators collaborat­ed with east coast Indigenous communitie­s whose ancestors witnessed Cook’s passage. Via an immersive digital experience, the show invites people to experience the gravity and emotions of these momentous historical events. Until September1­3.
To mark the 250th anniversar­y of James Cook’s 1770 passage along the east coast of Australia. the National Museum of Australia’s exhibition Endeavour Voyage: The Untold Stories of Cook and the First Australian­s looks at this seafaring feat through the eyes of those onboard the Endeavour as well as those who observed it from the shore. Visitors can imagine the moment when the land’s occupants encountere­d Cook and his crew in an exhibition that honours both a great voyage of scientific and geographic exploratio­n as well as the rich culture of those who encountere­d the new arrivals. Curators collaborat­ed with east coast Indigenous communitie­s whose ancestors witnessed Cook’s passage. Via an immersive digital experience, the show invites people to experience the gravity and emotions of these momentous historical events. Until September1­3.
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