The Australian Women's Weekly

REBECCA GIBNEY: my long road to happiness

In 1994, a role came around that changed Rebecca Gibney’s life. And as she steps back into Jane Halifax’s shoes, she tells Tiffany Dunk how the project that saw her plunge into a spiralling breakdown also brought a lifelong love.

- PHOTOGRAPH­Y by MICHAEL ROOKE STYLING by VICTORIA HARVEY

It’s a bracingly cold, blustery day as

The Weekly arrives for our shoot on the foreshore of Queenstown’s Lake Wakatipu. Ominous dark clouds loom, rain threatens and the wind whips bitingly through the thickest of coats and jumpers.

To be fair, we shouldn’t be surprised.

The entire week’s weather has been similarly grim – we are in the depths of a New Zealand winter, after all. As the photograph­er scurries off in search of a more protected spot, our cover star appears on the horizon, hair and make-up picture perfect, dressed and ready to go.

It’s then that the miracle occurs: the clouds part, revealing a stunning blue sky. The sun – matched only by the brightness of Rebecca Gibney’s beaming smile – emerges and the day, it seems, is saved. Maybe we shouldn’t be surprised by this either. Rebecca is a determined­ly glass-half-full kind of woman; a firm believer that putting out positive energy will attract the same in return.

And even if the sun hadn’t come out, says her good friend, actress and radio presenter Jane Kennedy, “Rebecca would have made lemonade out of it anyway.” →

This is a key part of the 55-yearold’s personalit­y, as we’ll learn both on set today and also later from several of Rebecca’s loved ones, who offer a deeper insight into just what makes the popular star tick. And it’s certainly not hard to find people willing to talk.

“Genuine”. “Selfless”. “Generous”. “Joyful”. “Loyal”. These are just a few of the glowing adjectives friends and colleagues use to describe the woman who has endeared herself to TV viewers for four decades, since making her debut in the Kiwi series Sea Urchins at the age of 16.

“I had so much support when I started out,” Rebecca says, explaining why she, in turn, has made a conscious decision to play the role of mentor and cheerleade­r for a new generation of actors. “I’d never had an acting lesson. But I had people like [The Flying Doctors co-stars] Liz Burch, Maurie Fields and Val Jellay, who took me under their wings and not only helped me with my acting, but helped me make friends in Australia. I arrived when I was 19 and I literally didn’t know a soul.

“I’m very much for the sisterhood – and the brotherhoo­d, too. My philosophy is that we’re all here not only to learn as much as we can, but to help each other through it. It’s important to have each other’s back because this industry can be brutal and full of rejection, so you need people around to lift you up. I’m a mother hen on set – I can’t be happy unless everybody else is happy.”

Certainly, that’s evident today, when the joyful peal of Rebecca’s laughter is a constant refrain. It was also evident on the Melbourne set of her latest TV project, Halifax: Retributio­n. To lift people’s moods, Rebecca would send in ice-cream vans as a surprise, and hire massage therapists to pamper weary cast and crew on long shoot days. Not that she reveals this herself – it’s the grateful team who share their leading lady’s generosity, adding that she’d probably be less than thrilled they’re doing so.

“She’s humble,” explains Michala Banas, who joins the new iteration of the popular crime drama, on which Rebecca is now also an executive producer. “Announcing that she does these amazing things for everyone makes it about her, and she wouldn’t want that. But she would do all these little things where you’d go, ‘I feel really appreciate­d right now’.”

In the upcoming Nine series Rebecca reprises the lead role of forensic psychiatri­st Jane Halifax, a character created specially for her 26 years ago by “the two Rogers” – highly respected producers Roger Simpson and Roger Le Mesurier.

Having worked with Rebecca on the 1993 TV series Snowy, they knew the then 28-year-old actress had the chops to helm what would prove to be an incredibly successful run of 21 telemovies – even if she didn’t necessaril­y believe it herself.

“I went through a lot of self-doubt in my 20s and early 30s,” she admits. “I was convinced I wasn’t that great. And I look at the work now and there was some dodgy acting going on in a few of those! It’s true that youth is wasted on the young because with wisdom and hindsight you go, ‘If only I had believed in myself’. But I didn’t.”

“I saw a talented young actress with quiet determinat­ion,” Roger Simpson – who returns for Halifax: Retributio­n – says, shaking his head in disbelief at this revelation.

“I remember when she finally started earning decent money for her role in Halifax, Rebecca hired a limo, bought a case of expensive French champagne and took her girlfriend­s out on the town. Rebecca is known for her generosity to cast and crew and delights in buying presents.”

For those on the outside looking in, Rebecca had it all in those years. The series was not only popular with viewers, but was nominated consistent­ly for both AFI and Logie Awards. And while her first marriage to musician Irwin Thomas may have ended in 1995, she had a loyal group of friends to guide her through it.

But with the filming schedule set at a gruelling pace, in private things were far from perfect. Rebecca had begun suffering frequent panic attacks that she’d attempt to dull with

Valium. She was taking sleeping pills at night just to get some rest; the →

“I’m a mother hen on set – I can’t be happy unless everybody else is happy.”

intense plots filled with serial killers and the mentally deranged infiltrati­ng her dreams. Plus, there was an undercurre­nt of anger. Her father, Austin, who had been an alcoholic and often violently beat her mother, Shirley, throughout their marriage, had died at the age of 51, just as Rebecca felt she was finally getting to know and forgive him. Plus, she says, “I was so full of self-loathing … I basically had a breakdown.”

Things came to a head when Rebecca and Roger Le Mesurier

(who would retire in 2006) headed to the south of France to sell Halifax F.P. to internatio­nal buyers.

“I did all the publicity and everything was fine, but I knew cracks were starting to show,” Rebecca says now. “We got on the plane to come home and I had a massive anxiety attack. It took five Valiums to get me from London back to Australia, with Roger basically holding my hand the entire way. I was on oxygen from France to London because I couldn’t breathe, it was that bad.”

Finally touching down on home soil, Roger handed her a card that would change her life – and see the perpetuall­y sunny star we now know emerge. It was the details of a clinical psychologi­st who, Rebecca says, saved her life.

“I’d developed agoraphobi­a and the only time I went out of my house was to drive and see her,” she reveals.

On the shelves of the psychologi­st’s office was a row of toys. Nestled among them was a headless doll – very reminiscen­t, Rebecca laughs now, of the doll she toted around herself as a child. The youngest of six, she was used to hand-me-downs and never found it unusual that her favourite toy lacked an essential body part.

“When I’d go in and see the psychologi­st, she’d say, ‘pick a toy’ and I would always gravitate towards that one, because it was broken. And I guess that’s a metaphor for my life because I’m always trying to fix everybody and everything. If someone’s got something wrong, I want to fix it.”

“I remember Bec would stay with me sometimes when she was going through a rough patch,” says her

Come In Spinner co-star and longtime friend Kerry Armstrong. “Then when I was going through a financial rough patch, every now and then there’d be a hundred dollars in my letterbox. She’d swear black and blue it wasn’t her, but what she didn’t realise was that I knew what her envelopes looked like. She’d leave the money in a really nice ‘Rebecca Gibney envelope’ because she likes good stationery.

“Bec’s been beside me for 30 years. Because our lives have been so full of adventures, many highs and lows, I think during many of those times our friendship literally kept us afloat.”

Opening the floodgates to talk about her anxiety and her past lifted a weight from Rebecca’s shoulders – one which she’s glad she was able to shed with Roger Le Mesurier’s help. And it wasn’t the last favour he’d do for her. In ’99, he would introduce her to Richard Bell, a young production designer Roger hoped to lure over to work on the Halifax set.

“Roger called me over and said, ‘Meet Richard’,” Rebecca recalls of the fateful meeting which would see the two marry just over a year later. “I shook his hand and he looked down at his shoes and turned bright red and I went, ‘Oh my God, he’s gorgeous!’”

Richard accepted the job, and three months later won the heart of the leading lady as the pair swiftly realised how much they had in common. Not only had they lived on the same street when they were five and six years old respective­ly, but Richard’s aunt had worked alongside Rebecca’s dad at the local drycleaner­s. Their families went on to move to Wellington at the same time, Rebecca says, and “we’d hang out at the same cafes and bars. We had so many sliding-door moments.”

They moved to Melbourne in the same year, and worked in the same industry for 15 years. “But if I’d met him in my early 20s, we wouldn’t have worked out because I was still trying to discover who I was,” she says with the wisdom of hindsight. “When I did meet him, I was 35 and coming out the other end of my breakdown, and I was ready.”

Not that Richard was ready, she jokes. “He’d just come out of a long-term relationsh­ip and he was like, ‘No, it’s too soon’. But I’m a force to be reckoned with and

I know a good catch when I see it – ‘I’m not letting you go, buddy!’”

The couple, who celebrate their 20th wedding anniversar­y next year, never looked back. After moving to Tasmania, they welcomed their son, Zac, in 2004. It was then, Rebecca says, that anxiety finally left her for good.

“It just dried up,” she says. “I think it was because all of a sudden I was focusing on this little boy. I was focusing more on his wellbeing – it stopped being about me and it was all about him. Now, when I get overworked or things get out of balance, I can sense when my body is starting to say, ‘Hang on, this isn’t good’, and I do something about it. I’ll meditate more or make sure I get physical. I’ll walk or I’ll talk about it – I’ll call someone and say, ‘I’m feeling a bit blah’. I know how to deal with it now.”

“I must say, when Rebecca and Richard were wondering whether they should become parents, I was in the front row, cheering like you wouldn’t believe,” Kerry – who is Zac’s godmother – tells us. “I was lucky enough to be there just after the birth and I’ve never seen a mum and dad become so suddenly complete. They were a wonderful pair, and now they are a wonderful triangle.”

With parents in the industry, it’s not surprising to learn that 16-year-old Zac has his sights set on an acting career himself. Rebecca groans and puts her head in her hands in mock

“I was full of self-loathing … I had a breakdown.”

despair at the thought of her son following in her footsteps.

“I’m trying to steer him back to zoology, what he originally wanted to do,” she says. “But he announced three months ago that he’s moving to Melbourne when he finishes school. He wants to go to the VCA [Victorian College of the Arts] to study acting.”

Luckily, Rebecca’s nearest and dearest friends – including Kerry, Jane and another former co-star, Jane Hall – all live in Melbourne, so she knows he’ll be safe should he decide to flee the family nest. Until then, she’s come up with a cunning plan to try to keep him home for longer.There’s a tiny apartment attached to their home in the South Island’s Dunedin, which comes replete with its own kitchen and living room. Zac has just moved in. “Someone said to me, ‘Good luck getting him out of that’,” Rebecca laughs now. “And I said, ‘That’s my plan!’ If he gets really settled there and he’s got free accommodat­ion, I reckon he might change his mind.”

While many have been feeling the rise of anxiety throughout the COVID-19 pandemic, Rebecca says she and her family have navigated through it with minimal disruption. Unable to leave the South Island since internatio­nal borders closed, the trio has been relishing the closeness lockdown unwittingl­y brought.

“We have open fires and we cook and talk and watch movies and play games,” she says. “We are the best of friends and we can talk about anything. Zac and I amused ourselves by making silly cooking shows on Instagram, and I’ll make him dance with me – it’s been great!”

Rebecca’s Instagram account has become something of a cult of late. Recently, she enlisted famous friends including Sam Neill, Rodger Corser, Erik Thomson, Amanda Keller, Lisa Wilkinson and more to dance and sing along to classic John Paul Young hit Love Is In The Air.

Rebecca’s 85-year-old mum, Shirley, has also become “Insta famous”, thanks to her appearance­s shimmying alongside her daughter on the social media channel. “Dancing is one of my favourite forms of exercise,” Rebecca explains. “I made a video one day without thinking about it and Zac went, ‘Mum, what are you doing? You’re embarrassi­ng yourself!’ And I went, ‘Oh, am I? Well, I’ll just keep doing it!’

“It started as a joke, but now he’s actually joining in. I haven’t done it for a while. I might have to give it a break now that everyone’s dancing on TikTok.

Maybe I’ll start gardening in my Logies frocks instead …”

But for now, Shirley – or “Mama Shirl” as the actress affectiona­tely calls her – is keeping up the family dance tradition in her home in Brisbane.

“She’s on Instagram, Facebook, she plays Words With Friends – everything,” says Rebecca, who will have to return to Oz for work next month and hopes to reunite with her mother – after the regulatory 14-day quarantine, of course. “It’s keeping her alive and switched on. I feel lucky.”

“Luck is made, not given” goes the old adage. And if that’s the case, Shirley is the poster girl for how to make that happen. “Mama Shirl has always been a believer in what goes around comes around, and what you give out, you’ll get back,” Rebecca says, adding that her mum has always been her guide in how to approach life and treat the people she meets along the way. “She’s the most generous person I know.”

Certainly, Shirley has inspired the same in her daughter. Jane Kennedy celebrated her 56th birthday in June. And on the day of the celebratio­ns, despite the disruption COVID-19 has caused for postal services, a package arrived from Rebecca. “She sent me the most beautiful gift,” Jane says. “It’s a carved jade heart from New Zealand. And she’s so organised – even in lockdown – that it arrived on the day.”

“I wish everybody had a Rebecca Gibney in their lives,” adds Michala Banas, whose friendship with the actress has seen them exchange laughs and secrets in equal measure. “She’s just a good human being. Someone you can depend on and always go to.”

“I can be grumpy and do the wrong thing, but every day I try to do the best I can,” Rebecca says when asked to sum up her approach to life. “I probably make people sick because I’m the born optimist. I believe things will always get better.” AWW

Halifax: Retributio­n starts on Tuesday, August 25, at 8.45pm on Nine.

Shot on location at Eichardt’s Private Hotel in Queenstown. eichardts.com

 ??  ?? The admiration is mutual between Rebecca and her close friends, fellow actors Michala Banas (top left) and Jane Kennedy (above).
Left: Halifax: Retributio­n co-stars Anthony LaPaglia and Rebecca.
The admiration is mutual between Rebecca and her close friends, fellow actors Michala Banas (top left) and Jane Kennedy (above). Left: Halifax: Retributio­n co-stars Anthony LaPaglia and Rebecca.
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 ??  ?? Clockwise from left: Rebecca and Mama Shirl; Kerry Armstrong adores the star; Rebecca, Richard and Zac.
Clockwise from left: Rebecca and Mama Shirl; Kerry Armstrong adores the star; Rebecca, Richard and Zac.
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