The Chronicle

Art exhibition­s capture beauty

- SANDY POTTINGER

LOCAL and regional exhibition­s reflect process as an exploratio­n of form, capture fleeting moments in time, share a sense of discovery shaped by journeys, and translate youthful perception­s into artistic statements.

No Comply Gallery, 6 Laurel St, is presenting “Semiprecio­us” an exhibition of paintings by Karri McPherson and Katie Wagner. The structure of the environmen­t is explored through geometric analysis in which the hard edge process offers clean, fresh areas of demarcatio­n. In McPherson’s dynamic canvases human interventi­on can be read in architectu­ral planes and streetscap­e-like grid patterns. Wagner’s tondo format suggests an illusion of landscape, a template of clouds and waves that shapes memory as a code of expression linked to colour symbolism and where Euclid’s line as “breadthles­s length” defines form.

The Arts Gallery at the University of Southern Queensland is hosting the 29th annual Heritage Bank Photograph­ic Awards exhibition.

This prestigiou­s event attracts entries from across Australia so it was particular­ly exciting that two Darling Downs photograph­ers took out top awards. Janine Waters from Dalby won the Open category with her dramatic “Gobi Splendour” and Terry Charles won the Alwyn Kucks Memorial Prize for the best image by a Toowoomba regional photograph­er. Liam Hardy from Coff’s Harbour took out the Bruce Mackenzie Award. This competitio­n is open to profession­al and amateur photograph­ers and encourages youthful participat­ion with the 7-9-year-olds forming the youngest category. Creative compositio­n, an eye for detail, and the capturing of a precious moment have produced a strong and polished exhibition for which actually being selected is another form of winning.

The Clifton Library Foyer is providing space for another photograph­ic exhibition, “People of Peru,” a visual portrait diary by photograph­er and inveterate traveller, Nelma Ward. The works are blessedly devoid of intrusive reflection­s as they are presented in un-glazed frames. The people are beautiful: proud, wary, happy, curious, serene, dignified, and downright cheeky. The portraits offer an insight into the history of a culture written in their faces and told in the colours and patterns of the costumes.

The Lockyer Valley Art Gallery in Gatton is showing “Perception­s”, the annual exhibition by students from Lockyer District High School. The impressive body of work happily fills the large exhibition space with diversity, colour, ideas, and messages. From meticulous­ly decorated skate board decks to papier-mâché masks, from portraits to paper dresses, from installati­ons to paintings the exhibition reflects thoughtful concerns, an emerging skill base, creative concepts, and constructi­ve teaching and mentorship.

The Berghofer Centre on Baker Street is holding the 14th Southern Hemisphere Felt Makers Convergenc­e. Local textile artists are in for a treat as an exhibition of felted artworks by local, national, and internatio­nal artists will be open to the public next week on September 27-28 from 9.30am until 3pm at the Berghofer Centre.

CORRECTION: The painting “Valley of the Gorge” featured in last week’s column was by William Church.

 ?? PHOTOS: CONTRIBUTE­D ?? EXHIBITION: Kelly in the Barrel by Josh Bystrom at The Arts Gallery USQ.
PHOTOS: CONTRIBUTE­D EXHIBITION: Kelly in the Barrel by Josh Bystrom at The Arts Gallery USQ.
 ??  ?? Paper dress by Rebecca Carney at The Lockyer Valley Art Gallery.
Paper dress by Rebecca Carney at The Lockyer Valley Art Gallery.
 ??  ?? Works by Karri McPherson & Katie Wagner at No Comply.
Works by Karri McPherson & Katie Wagner at No Comply.
 ??  ?? Nelma Ward at The Clifton Library Foyer.
Nelma Ward at The Clifton Library Foyer.
 ??  ?? Valley of the Gorge by William Church at the Culliford Gallery.
Valley of the Gorge by William Church at the Culliford Gallery.
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