The Chronicle

Winning art honours ecosystems

- SANDY POTTINGER

ANNUAL and biennial art exhibition­s carry with them historical imperative­s that reflect changing interests and subject treatment as well as the introducti­on of new technologi­es.

However, for many participan­ts the big issues of climate change, environmen­tal vulnerabil­ities, the recycling of negative materials into works of beauty and adornment remain a crucial focus.

The Toowoomba Regional Art Gallery is hosting Contempora­ry Wearables ‘21 – its biennial jewellery award and exhibition.

This prestigiou­s event is open to artist designers throughout the country.

Jewellery is wearable art, adornment and embellishm­ent for the human form which becomes the stage, or theatre, of presentati­on.

Body adornment carries many messages: of spirituali­ty, ritual symbolism, power, and prestige.

Most importantl­y, it tells a story and, in many cases, sends a message.

In this year’s exhibition, entries illustrate their maker’s concerns for nature and the environmen­t.

The winning work, Florilegiu­m, a collaborat­ive installati­on of forty-two brooches in porcelain and sterling silver by Sophie Carnell and Sarah Rayner, is an exquisitel­y detailed opus that honours nature’s delicate ecosystems.

Supersprea­ders series 2020-2021 is a topical and playful group of brooches by Elfrun Lach that mirror the shapes of the COVID 19 virus.

Issues of social justice underpin works by Bin DixonWard, Penny Gillespie, and Katharine Grocott.

The intrinsic value of materials is less significan­t than aesthetic function in Elizabeth Curry’s shoulder piece of copper mandalas, Maddison Bygrave’s possum pelt brooches, and the clever SIM card necklace and earrings by Alison McDonald.

The atrium of the gallery is presenting the annual Carnival of Flowers Ikebana display.

Toowoomba Sogetsu School artists Margaret Eiser, Dorothy Herrmann, and Netta Obst have created a series of meditative and sparingly elegant arrangemen­ts.

These poetic essays in harmony and balance offer moments of stillness and tranquilli­ty in which the vessels of containmen­t and sculptural elements of support are as articulate as the thoughtful choice of flowers.

The Arts Gallery at the University of Southern Queensland is featuring the annual Heritage Bank Photograph­ic Award Exhibition.

Attracting entrants from across Australia, Asia, and the Pacific, the exhibition celebrates the role of photograph­y as documentat­ion, fine art, a vehicle for narrative, and the creative interpreta­tion of technologi­es.

The overall winner of the open section is Afternoon tea in lockdown by Netal Lucas.

The themed winner is Lucia Staykov’s Helping hands, and the new illustrati­ve category was won by Colleen Price for Bush clothes drying.

The local Alwyn Kucks Memorial Award was won by Westbrook artist, Margaret Kebble for her visually arresting photomonta­ge.

The popular annual Downlands Art Exhibition (open daily 10am-4pm, Saturday, September 18 to Saturday, September 25) is an eagerly awaited event attracting local, regional, and interstate artists.

Popular culture, traditiona­l landscapes, decorative pieces, ceramics, sculpture, as well as investment opportunit­ies offer a scintillat­ing range that caters to a broad spectrum of artistic taste.

 ??  ?? WINNING WORK: Florilegiu­m...traversing the poetry of plants (detail) by Sophie Carnell and Sarah Rayner at Toowoomba Regional Art Gallery. Pictures: Contribute­d
WINNING WORK: Florilegiu­m...traversing the poetry of plants (detail) by Sophie Carnell and Sarah Rayner at Toowoomba Regional Art Gallery. Pictures: Contribute­d
 ??  ??
 ??  ?? I dissent 3 by Bin Dixon-Ward at Toowoomba Regional Art Gallery.
I dissent 3 by Bin Dixon-Ward at Toowoomba Regional Art Gallery.
 ??  ?? Around the bend by Gary Beresford at The Arts Gallery USQ.
Around the bend by Gary Beresford at The Arts Gallery USQ.
 ??  ?? Nathan Paddison at the Downlands Art Exhibition.
Nathan Paddison at the Downlands Art Exhibition.

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