The Gold Coast Bulletin

Why we’re not allowed to bone up on history

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THE Melbourne Museum is meant to be a temple of Western science and culture — a collector and protector of knowledge.

So why has it banned you from seeing the bones of a Viking?

Why has it has given in to Aboriginal superstiti­on and removed those bones from an exhibition sent to us by Sweden?

Talk about the closing of the Western mind.

Mind you, the Melbourne Museum — like so many of our fashionabl­y postmodern­ist institutio­ns now — always seemed to me more interested in scrubbing history than telling it.

When it opened 18 years ago, it had not one exhibit mentioning the man who’d founded Melbourne, the city that gave it its name.

John Batman, who bought the site of Melbourne from an Aboriginal tribe, was blotted out as a wicked colonialis­t. No mention, either, of Matthew Flinders, who’d mapped the coast.

Instead, the museum devoted huge space to showcasing Aboriginal culture and alleged white cruelty, even peddling the long-debunked claim that one in three Aboriginal children had been stolen from their parents.

The Melbourne Museum is now holding an exhibition on Vikings, showing some 450 artefacts borrowed from the Swedish History Museum — everything from fossilised poo to a replica of a Viking ship. But oops. Make that 449.

Visitors have been surprised to find one exhibit — the bones of a Viking — has been withdrawn from the show.

The Museums Victoria website explains: “Human remains are not being displayed in … Vikings: Beyond the Legend due to cultural sensitivit­ies.

“Australian First Peoples individual­s and communitie­s can experience distress and sadness from the display of human remains.

“This is due to the past practices of museums who displayed Ancestors without permission and who took these remains from their burial places to study and examine.

“It is also due to the spiritual belief that Ancestors — whatever country or people they belong to — should be laid to rest and not on display.”

Pardon? This is a shocking attack not just on the freedom of everyone else to see this display. It is an attack on science and the transmissi­on of knowledge.

First, we’re told that we can’t see these Viking bones because they remind some Aborigines of something else they didn’t like.

But what exhibition­s are safe from such exaggerate­d offence-taking? Should we also remove Streeton’s magnificen­t Fire’s on from the NSW Art Gallery in case it distresses relatives of others who died in horrible work accidents?

Same thing with a ban on seeing an exhibit because of someone’s alleged “spiritual belief”.

Must we also shut down the nearby Harry Brookes Allen Museum of Anatomy and Pathology at Melbourne University with its own display of body parts and bones?

And why stop there? Islam bans images of its prophet Muhammed. Already our newspapers are so scared of this ban — remember the murdered Charlie Hebdo cartoonist­s! — that none dares to publish the famous Muhammed cartoons.

Must we next burn all copies of Dante’s Inferno containing Gustave Dore’s famous image of a disembowel­led Muhammed in hell? Of course,

ews.com.au there’s an obvious

scuonm/apnrdormew­ibseolht/ere. Melbourne could simply put up a sign: bones on not eonffteenr­cife-you will be oreffmenod­ved.”

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some even suggested Melbourne MuseumInof­faecrt, ?pIrsilvaam­tebvaienws ings ovfistihto­erbsoenvee­sn,

eMvenlbtoh­uartn. The museum’s exhibition­s project manager replied that its ban was total, relating “specifical­ly to the public display of human remains and particular­ly those which are displayed without the consent of the individual or their relatives”.

But these bones were sent to us by the government­owned Swedish Historical Museum. That’s surely as close as we can get to the consent of relatives of this Viking, dead for many centuries and with no known descendant­s.

So what’s the real reason for the museum’s ban on even a private viewing? Let me guess: this is not really about offence but power. It’s about the exciting power of a privileged few to deny things to the many.

That’s the power of a bully. Worse, it is power used to deny you access to science and history.

Worse still, we now have even an Australian museum banning our access to this knowledge on the grounds of touchy feelings and superstiti­ons.

If you don’t draw a line, what will you be banned from seeing and learning tomorrow, as this wave of superstiti­on and tribalism smothers even our museums? Watch Andrew Bolt on The Bolt Report LIVE 7pm week nights

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