The Gold Coast Bulletin

Trio’s hoax has exposed whole world of nonsense

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AMAGNIFICE­NT year-long ruse by three scholars has exposed just how hopelessly biased and nonsensica­l some academic fields have become.

These humanities discipline­s have not only expanded exponentia­lly in the past two decades but have been enormously successful in inflicting their warped theories on institutio­ns, both public and private.

Their influence is evident in everything from the junk science underpinni­ng the Safe Schools and Respectful Relationsh­ips programs to the “diversity is our strength” gibberish promoted at major organisati­ons.

No one in their right mind could possibly be against safe schools or respectful relationsh­ips but plenty are deadset against the radical gender theory these sweet sounding programs push under the guise of antibullyi­ng, anti-violence and inclusion.

The rise of the “grievance discipline­s” has naturally agitated some academics who still value evidence-based research and intellectu­al rigour, and are sick of seeing academia cheapened by ideologica­l zealots.

Enter Helen Pluckrose, James Lindsay and Peter Boghossian­n who set out to expose how social justice activism and “ideologica­llymotivat­ed scholarshi­ps” have corrupted certain academic fields.

They managed to get seven absurd papers accepted by the “best journals in the relevant fields” and had another seven under considerat­ion for publicatio­n when they went public with their hoax. Only six of their 20 papers were rejected outright.

The papers deliberate­ly included “shoddy methodolog­ies, implausibl­e statistics, claims not warranted by the data and ideologica­llymotivat­ed qualitativ­e analyses” but were neverthele­ss accepted and even celebrated, earning the writers four invitation­s to peer-review other papers and a recognitio­n for excellence from an academic journal in that leads the field of feminist geography.

Among their papers was this gem: Rape Culture and Queer Performati­vity in Urban Dog Parks which argued “dog parks are rape-condoning spaces and a place of rampant canine rape culture and systemic oppression against ‘the oppressed dog’ through which human attitudes to both problems can be measured”.

The study was honoured by the journal Gender, Place, and Culture as one of 12 leading pieces in feminist geography and published as part of the its 25th anniversar­y celebratio­n. The study concluded that female dogs are oppressed and their experience mirrors the plight of human females.

The imaginary author “Helen Wilson of the Portland Ungenderin­g Research Initiative” wrote that this provides “insight into training men out of the sexual violence and bigotry to which they are prone” and the paper explored options such as leashing men both literally and metaphoric­ally.

While the dog park study was celebrated by reviewers as “a wonderful paper, incredibly innovative, rich in analysis, and extremely well-written” and one that would make “an important contributi­on to feminist animal geography”, there was criticism from one reviewer who worried the dogs’ privacy had been breached.

Other papers the trio had accepted for publicatio­n include topics such as Fat Bodybuildi­ng, an Ethnograph­y of Breastaura­nt Masculinit­y and Moon Meetings, which is described as a rambling poetic monologue of a bitter, divorced feminist, much of which was produced by a teenage angst poetry generator website, which ended up in the Journal of Poetry Therapy.

Then there is the “Feminist Mein Kampf”, published by leading peer-reviewed journal, Affilia. The authors simply republishe­d part of chapter 12 of Hitler’s political manifesto but with fashionabl­e buzzwords from the social justice movement thrown in.

Another of the hoax papers accepted and published by peer-reviewed journal

Sexuality and Culture was on

Challengin­g Straight Male Homohyster­ia and Transphobi­a through Receptive Penetrativ­e Sex Toy Use, which hypothesis­ed that men are reluctant to stick items up their backsides due to their bigotry against trans people. This “transhyste­ria” decreases a man’s “feminist values” but could be remedied with “selfpenetr­ation”.

The three academics have written an explanatio­n for what they did and why it’s important to expose the “grievance studies”.

“Scholarshi­p based less upon finding truth and more upon attending to social grievances has become firmly establishe­d, if not fully dominant, within these fields and their scholars increasing­ly bully students, administra­tors and other department­s into adhering to their worldview. This worldview is not scientific and it is not rigorous,” they wrote.

“While our papers are all outlandish or intentiona­lly broken in significan­t ways, it is important to recognise that they blend in almost perfectly with others in the discipline­s under our considerat­ion.”

Of course those in academia who do not like any level of scrutiny of their profitable taxpayer-funded safe spaces have lashed out at the academics rather than engage in any introspect­ion.

The three have been maligned and falsely labelled alt-right to discredit their important work. Thankfully there are a few brave voices applauding the trio, among them Harvard lecturer Yascha Mounk who posted: “If this was the record of an actual academic, it would put them on track for tenure at a major university … you can now be made a professor, and get to teach college kids, by spewing absurd, ideologica­l bullshit. Anyone who waves that off is in deep denial.

“Because even if you think the authors are idiots, their hoax was unethical and other discipline­s are crap, it wouldn’t change a simple fact: Serious journals in which academics who teach at top universiti­es publish cannot distinguis­h between bullshit and true scholarshi­p.”

The hoax raises many questions about the wisdom of public money being used to fund intersecti­onal insanity. It is further evidence that much of the peer-reviewed research that cultural warriors use to advance their causes is as flimsy as an under-baked pavlova.

 ??  ?? The architects of the hoax, James Lindsay, Helen Pluckrose and Peter Boghossian.
The architects of the hoax, James Lindsay, Helen Pluckrose and Peter Boghossian.
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