3,000-year-old sculpture leaves researchers scratching their heads
An enigmatic sculpture of a king’s head dating back nearly 3,000 years has left researchers guessing at whose face it depicts.
The 5cm (two-inch) sculpture is an exceedingly rare example of figurative art from the region during the fourth century BC – a period associated with biblical kings. It is exquisitely preserved but for a bit of missing beard, and nothing quite like it has been found before.
While scholars are certain the stern-bearded figure wearing a golden crown represents royalty, they are less sure which king it symbolises, or which kingdom he may have ruled.
Archaeologists unearthed the figurine in 2017 during excavations at a site called Abel Beth Maacah, located just south of Israel’s border with Lebanon, near the modern-day town of Metula.
Nineteenth-century archaeologists identified the site, then home to a village called Abil al-Qamh, with the similarly named city mentioned in the Old Testament’s Book of Kings.
During the ninth century BC, the ancient town was situated in a liminal zone between three regional powers: the Aramean kingdom based in Damascus to the east, the Phoenician city of Tyre to the west and the Israelite kingdom, with its capital in Samaria to the south.
Kings 1 15:20 mentions Abel Beth Maacah in a list of cities attacked by the Aramean king Ben Hadad in a campaign against the Israelite kingdom.
“This location is very important because it suggests that the site may have shifted hands between these polities, more likely between AramDamascus and Israel,” said Hebrew University archaeologist Naama Yahalom-Mack, who has headed the joint dig with California’s Azusa Pacific University since 2013.
Yahalom-Mack’s team was digging through the floor of a massive iron age structure in the summer of 2017 when a volunteer struck pay dirt. The layer where the head was found dates to the the epoch associated with the rival biblical kingdoms of Israel and Judah.
In a rare move, archaeologists and curators at the Israel Museum in Jerusalem rushed to put the piece on public display. A detailed report is set for publication in the June edition of the journal Near Eastern Archaeology.
Eran Arie, Israel Museum’s curator of iron age and Persian archaeology, said the discovery was one of a kind. “In the iron age, if there’s any figurative art, and there largely isn’t, it’s of very low quality. And this is of exquisite quality.”
The royal figurine is made of faience, a glass-like material that was popular in jewellery and small human and animal figurines in ancient Egypt and the Near East.
“The colour of the face is greenish because of this copper tint that we have in the silicate paste,” Yahalom-Mack said. But a crucial clue for identifying it as a Near Eastern monarch was its “very interesting hairdo”, she said, which looks similar to the way ancient Egyptians depicted neighbouring Near Eastern peoples in art.
“The guy kind of represents the generic way Semitic people are described,” she said.
Because carbon-14 dating cannot give a more exact date for the statue’s creation other than some time in the ninth century, the field of potential candidates is large. Yahalom-Mack posited it could be kings Ben Hadad or Hazael of Damascus, Ahab or Jehu of Israel, or Ithobaal of Tyre – all characters appearing in the biblical narrative.
“We’re only guessing here, it’s like a game,” she said. “It’s like a hello from the past, but we don’t know anything else about it.”
As scholars debate whether the head was a standalone piece or part of a larger statue, the Hebrew University team is set to restart digging this month at the spot where the mystery king’s head was found.
In the iron age, if there’s any figurative art ... it’s of very low quality. And this is of exquisite quality.