The Guardian Australia

Working from home has a long history – be careful what you wish for not wanting to go back to the office

- Jeff Sparrow

In the Wall Street Journal, Dana Mattioli and Konrad Putzier speculate that the white-collar workplace as we know it might soon cease to exist. They cite Twitter’s plan to allow its 5,000 or so staff to work from home indefinite­ly, along with plans by OpenText Corp to cut more than 50% of its global offices.

“Many executives …” they say, “point to the success of an unpreceden­ted work-from-home experiment, and how little productivi­ty appears to have been impacted after millions of employees in technology, media, finance and other industries have been forced to work remotely for months.”

Yet if we’re to understand why some 74% of corporatio­ns, according to one study, now intend to employ at least some of their staff in that way, we should recognise work from home as neither “unpreceden­ted” nor “an experiment” but rather a method of labour organisati­on crucial to the developmen­t of the modern economy.

When capitalism first took hold in Britain, industrial­ists relied upon the so-called “putting out” system, in which subcontrac­tors distribute­d raw materials to men and women labouring for piece rates in their homes. The arrangemen­t persisted for centuries, prevailing in the manufactur­e of cloth, ceramics, gloves, lace, knitted goods and similar items well into the 19th century.

Today, after weeks of staying at home, many of us regard the prospect of returning to a centralise­d workplace with a mixture of ambivalenc­e and dread.

It’s a sentiment that the men and women of the 18th century would have recognised.

Back then, most people sought to labour in their own house, with factory work only a last resort. The “putting out” method might have entailed dreary toil for minimal pay but it allowed workers to exercise some control as to what they did and when. They could continue to supervise their children, tend their animals and maintain their gardens, while celebratin­g the religious and folk holidays central to early modern society.

By contrast, as the historian NSB Gras says, factories emerged “purely for purposes of discipline so that the workers could be effectivel­y controlled under the supervisio­n of foremen”. Indeed, as another scholar notes, “there were few areas of the country in which modern industries … if carried on in large buildings, were not associated with prisons, workhouses and orphanages”.

Because the first white-collar workers usually performed some kind of management function, early “offices” often functioned as a privileged adjunct to the factory. A senior clerk in the 1850s might, for instance, expect to perform his duties in a work environmen­t that “closely resembled his home in its furniture, its open fire, curtains and, by the end of the century, gas lighting”.

But, as clerical work proliferat­ed, the office became subjected to the same supervisor­y techniques by which Frederick Winslow Taylor broke industrial labour into simple, carefully-timed components. Management texts from the first decades of the 20th century reveal an obsession with controllin­g the most humdrum of tasks, with “the seemingly innocuous act of blotting […] accused of wasting 35 seconds [and] the minuscule time difference­s in fastening together papers by way of a paperclip versus a tag […] the subject of much discussion”.

Today, most of us don’t get assessed on the basis of how quickly we turn in our swivel chairs (it should take 0.009 of a minute, according to a guide from 1960).

That’s because, by bringing workers out of the home, the office (just like the factory) gave them collective social power. Despite the best efforts of “efficiency experts”, white-collar employees began to organise – and, by so doing, won at least some control over their working life.

As a result, for every person you know who wants to stay at home, you can probably think of another who misses the camaraderi­e of a shared workspace: a place to chat, to make friends and, at times, to rebel.

The contradict­ion plays out in the corporate enthusiasm for office abolition.

Naomi Klein has identified an attempt to use Covid 19 to impose what she wittily calls a “Screen New Deal”. She argues that the shock of the pandemic has provided cover for those who would implement a raft of oppressive social practices associated with the tech industry.

Certainly, in the workplace, the virus has rendered many of us almost

totally dependent on third-party software packages, in ways that potentiall­y give employers tremendous power.

Earlier iterations of the newly ubiquitous Zoom, for instance, contained an option called “attention tracking”, which, under certain circumstan­ces, notified administra­tors if users clicked away from the active window for more than half a minute. The feature’s now been removed but you can see how working from home might normalise all kinds of other so-called “employee tracking software”.

“My manager knows every single damn thing I do,” a semi-anonymous remote worker called “Jane” explained to Vox. “I barely get to stand up and stretch, as opposed to when I am physically in the office. I feel like I have to constantly be in front of the computer and work because if not, either the [software] logs me out for being idle, or my manager randomly sends a check-in email that I must reply to promptly.”

In the 19th century, capitalist­s needed workers in one place to monitor them, and that meant paying for expensive factories, in which troublesom­e trade unions could potentiall­y organise.

Today, though, it’s actually easier to surveil an atomised remote-based workplace than one congregati­ng in a single building. By keeping their staff at home, bosses can disrupt workplace collectivi­ty – and can save on rent while doing so.

It remains to be seen how many companies will follow through on the new anti-office rhetoric. But in these strange times, an embrace of a hightech “putting out” system might yet be on the cards, as capitalism goes back to its future in increasing­ly dystopian ways.

Jeff Sparrow is a Guardian Australia columnist

 ?? Photograph: PR ?? The cast of the American television show The Office.
Photograph: PR The cast of the American television show The Office.

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