The Guardian Australia

Complaints about racism increasing, Screen Australia’s top Indigenous executive says

- Kelly Burke

The agency responsibl­e for bringing to the screen some of Australia’s most significan­t Indigenous projects says complaints of racist and discrimina­tory behaviour in the film and television industry have risen in the past two years.

Penny Smallacomb­e, the head of Screen Australia’s Indigenous department, which has overseen projects such as the ABC series Mystery Road and Total Control, told Guardian Australia that complaints from First Nations people working in the industry had risen significan­tly during her six-year tenure, as had complaints from other marginalis­ed cultural groups.

Smallacomb­e, a Maramanind­ji woman from the Northern Territory, declined to comment specifical­ly on the Indigenous actor Shareena Clanton’s allegation­s of racism and sexism on the Neighbours’ set or FremantleM­edia’s handling of her complaints. Screen Australia does not fund the long-running series, which is now in its 35th year.

“I don’t have any intimate knowledge of what goes on there … but I think, generally speaking, I’m personally receiving more calls where there has been issues on set or in writers’ rooms or generally across the screen industry, and they’re mostly coming from First Nations people or people from other under-represente­d groups,” she said.

Clanton was the target of further racial slurs on social media on Wednesday after her Instagram post alleging, among other things, that a Neighbours actor used the n-word on more than one occasion, and that an actor of colour had been described as a “lil’ monkey”.

The television series’ production house, FremantleM­edia, has not responded to Guardian Australia’s request for comment to date but in a statement released late on Tuesday acknowledg­ed that there had been “significan­t and lengthy discussion­s” with Clanton in the past two months.

“We will continue to work with all cast and crew to ensure Neighbours continues to be a fully inclusive environmen­t,” the statement said.

Smallacomb­e said she had reached out to Clanton on Tuesday “to see if she was OK”.

While the increased presence of First Nations people in the industry could account for some of this rise in the number of complaints, along with increased awareness amid the Black Lives Matter movement, it did not fully explain the trend, she said.

“The industry as a whole, understand­s the need for greater inclusion, diversity, equity on screen … and I think production companies are possibly rushing to diversify onscreen representa­tion through the stories that they tell, and in doing so, aren’t thinking about the foundation­s that they need to build in order to make it a culturally safe working environmen­t,” she said.

“I think certainly that there is a lot of work to be done in this area … we can’t just sit back and expect racism to just disappear out of the industry. We need drivers across the board to make sure that these kinds of behaviours aren’t acceptable ways of working.”

Smallacomb­e said Screen Australia was working on a new equity and antiracism strategy, and was about to announce the appointmen­t of an inclusion manager to implement the strategy.

The peak film funding body was also considerin­g commission­ing a second Seeing Ourselves report, she said, which would expand on an earlier report to include analyses of cultural diversity among all people operating in the film and television industry, not just hose working front of camera.

The 2016 report analysed 1,961 main characters from 199 Australian TV dramas broadcast on public, commercial free-to-air and subscripti­on television between 2011 and 2015, and the cultural background­s of the 988 actors who portrayed the characters on screen.

The study found that while Indigenous Australian­s were well represente­d onscreen compared with their proportion of the population, people from non-European background­s such as Asian, African or Middle Eastern, and people with disabiliti­es, were significan­tly underrepre­sented.

More than a third of the programs analysed had main casts consisting entirely of characters from Anglo-Celtic background­s.

 ?? Photograph: Hanna Lassen/WireImage ?? Screen Australia’s Penny Smallacomb­e: ‘We can’t just sit back and expect racism to just disappear.’
Photograph: Hanna Lassen/WireImage Screen Australia’s Penny Smallacomb­e: ‘We can’t just sit back and expect racism to just disappear.’
 ?? Photograph: Fiona Goodall/Getty Images for New Zealand Film Commission ?? Penny Smallacomb­e speaks during a panel discussion at the Power of Inclusion Summit in Auckland in 2019.
Photograph: Fiona Goodall/Getty Images for New Zealand Film Commission Penny Smallacomb­e speaks during a panel discussion at the Power of Inclusion Summit in Auckland in 2019.

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