The Guardian Australia

Gentrifica­tion destroyed the San Francisco I knew. Austin is next

- Patrick Bresnan

Austin, Texas, is in the grip of the kind of gentrifica­tion that destroyed San Francisco, and it feels like my duty as a film-maker to document it. I think you have to be a thick-skulled, opinionate­d, cranky bugger to make films. As a failed comedian who needed to find another way to process everyday life, filmmaking and photograph­y have maintained my sanity, and our latest film tackles the changes I’m seeing to my local community.

I lived in San Francisco in the 90s as big tech was incubating, and there was a belief that the coming democratiz­ation of technology was going to unite us and better the world. There was an incredible sense of anticipati­on. What we, as 20-year-old punks enjoying the SF Mission district, did not see happening was the complete overrunnin­g of affordable neighborho­ods by tech workers and real-estate developers. Housing had become an act of gladiator combat where the most powerful weapon was cash.

During the pandemic, it seemed as if Austin had become the number one city that people moved to on the social employment site LinkedIn. Like San Francisco 20 years ago, people are coming to Austin to work in the tech industry and bask in the weird pseudo liberal culture that the city has become known for. Houses now regularly sell at a hundred thousand dollars over asking price. This has coincided with the building of a Google tower downtown, Facebook ordering 2m sq ft of office space, and Tesla moving their headquarte­rs to Austin.

The true human impact of this influx of highly paid and economical­ly mobile workforce is felt in the form of a housing crisis. I have had a keen eye on this since 2010 when I did a master’s degree in sustainabi­lity in the architectu­re programme at the University of Texas with a focus on affordable housing. What I found so dishearten­ing in architectu­re school was the focus on sustainabi­lity in the design of luxury houses and buildings that a majority of people could not afford or access. I understand sustainabi­lity more in terms of our ability to retain historical residents more than about designing energy-efficient structures. By 2014, I had refocused my energies on an equally brutal career: film-making. I believe that through visual storytelli­ng we can communicat­e social needs and seek to preserve communitie­s on the frontlines

of gentrifica­tion.

In my new documentar­y short, Happiness is a Journey, made alongside my film-making partner, Ivete Lucas, we try to place the audience with people who have very little power or ability to resist the changing cityscape of Austin. The experiment­al split-screen documentar­y follows warehouse workers through the night as they process newspapers for delivery on the night before Christmas. Their warehouse sits on one of the most valuable pieces of real estate in the southern US, a place with plans for massive redevelopm­ent. The physical newspapers they are bagging and delivering will be phased out in three years.

Our main protagonis­t in the film, Eddie “Bear” Lopez, lives less than a mile from the warehouse in East Austin, in a house he has called home for 60 years. Some of his colleagues are insomniacs, some have been delivering papers since they were teens, others are mothers working the night shift to keep their children fed, or formerly incarcerat­ed men looking for re-entry to the workforce. When most people are huddled in their homes trying to sleep in anticipati­on of Christmas morning,

Bear and co are scrambling to get out of the warehouse with their papers before 3am.

What we hope to preserve in this film are the everyday routines of the invisible working class in a city that will soon be unaffordab­le for them. Much like I saw gentrifica­tion change the Bay Area, it is transformi­ng Austin, and this film is an act of sustainabi­lity. We must recognize and give a face to the vulnerable people who make up our city before it is too late and they are forced to leave.

Happiness is a Journey is released on the Guardian today. Watch more Guardian Documentar­ies here. Sign up for the Guardian Documentar­ies newsletter here to be the first to hear about new releases and exclusive events.

 ?? Photograph: Patrick Otisike Bresnan/The Guardian ?? Items found and treasured in a shrine at a newspaper warehouse in East Austin.
Photograph: Patrick Otisike Bresnan/The Guardian Items found and treasured in a shrine at a newspaper warehouse in East Austin.
 ?? Photograph: Patrick Otisike Bresnan/The Guardian ?? Bear sets off to do the 3am newspaper run in Christmas Day.
Photograph: Patrick Otisike Bresnan/The Guardian Bear sets off to do the 3am newspaper run in Christmas Day.

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